长沙花鼓戏中的方言运用研究

发布时间：2018-06-22 22:12

本文选题：长沙花鼓戏 + 方言运用　；参考：《湖南师范大学》2016年硕士论文

【摘要】：方言作为语言的变体,承载着丰富的地域文化,具有独特的表现力。随着国家开始对优秀的传统文化实施非物质文化遗产保护,长沙花鼓戏的传承发展出现生机。长沙花鼓戏用长沙方言进行演唱,湖湘味儿浓。本文从运用的角度对长沙花鼓戏中的方言现象进行系统研究,把方言理论与花鼓戏实践结合起来,主要考察长沙方言在长沙花鼓戏中的运用情况,重点分析方言要素在长沙花鼓戏中的运用策略及其表现功能,并尝试探讨方言在长沙花鼓戏中运用的合理性与局限性。全文主要包括以下几个部分:一、绪论。简要介绍了长沙花鼓戏的流布区域、源流沿革、班社组织、剧目、音乐唱腔等基本情况;分别对戏曲与语言、湖南花鼓戏和长沙花鼓戏的研究现状进行综述;阐释本文的研究内容和研究意义;交代本文的研究方法和步骤及语料来源;列出长沙方言音系。二、长沙花鼓戏中方言运用的总体情况。探讨长沙花鼓戏中方言运用的特点;分析长沙花鼓戏中方言脚本语言与舞台语言的差异;探讨长沙花鼓戏中方言运用的合理性与局限性。三、长沙花鼓戏中方言语音的运用及其表现功能。这部分主要对长沙花鼓戏中的方言语音运用情况进行研究。研究内容有:长沙花鼓戏音系,长沙花鼓戏音系与长沙方言音系的差异及其原因,长沙花鼓戏曲调与长沙方言字调的关系,长沙花鼓戏演唱中的咬字、吐字与归韵收音,别具一格的节奏和重音,押韵,谐音等。四、长沙花鼓戏中的方言词语运用及其表达效果。主要从长沙花鼓戏中的方言名词、方言动词、方言形容词、方言俗语的运用及其表达效果进行分析。五、长沙花鼓戏中的方言修辞的运用及其表达效果。这部分对长沙花鼓戏中的方言修辞比喻、排比、夸张、双关的运用及其表达效果进行考察。六、结语。对本文研究进行总结,归纳本文的主要观点与创新之处,并指出论文的不足之处和有待进一步研究的问题。
[Abstract]:As a variant of language, dialect bears rich regional culture and unique expressive power. As the country began to protect the intangible cultural heritage of excellent traditional culture, the inheritance and development of Changsha Flower Drum Opera emerged. Changsha Flower Drum Opera is sung in Changsha dialect. From the perspective of application, this paper systematically studies the phenomenon of dialect in the Hua-Du Opera of Changsha, combines the theory of dialect with the practice of Hua-Drum Opera, and mainly studies the application of Changsha dialect in Hua-Du Opera of Changsha. This paper focuses on the application of dialect elements in Changsha Hua-gu Opera and its expressive functions, and attempts to explore the rationality and limitations of its application in Changsha Hua-gu Opera. This paper mainly includes the following parts: first, introduction. This paper briefly introduces the basic situation of the streamer region, the origin, the organization, the repertoire and the music singing of Changsha Hua Du Opera, respectively, and summarizes the research status quo of the opera and language, Hunan Flower Drum Opera and Changsha Flower Drum Opera respectively. Explain the research content and significance of this paper, explain the research methods and steps and the source of the corpus; list the phonological system of Changsha dialect. Second, the general situation of the use of dialect in Changsha Huagu Opera. This paper probes into the characteristics of dialect usage in Changsha Huagu Opera, analyzes the differences between script language and stage language, and probes into the rationality and limitation of the use of dialect in Changsha Flower Drum Drama. Third, the use and expression function of dialect pronunciation in Changsha Huagu Opera. This part mainly studies the use of dialect pronunciation in Changsha Huagu Opera. The contents of the study are as follows: the phonological system of Changsha Hua-gu Opera, the difference between Changsha Hua-gu Opera Phonology system and Changsha dialect phonetic system, the relationship between Changsha Hua-Du Opera's tune and Changsha dialect's character tone, the pronunciation of Changsha Hua-gu Opera's singing, the articulation and the closing rhyme. A distinctive rhythm and accent, rhyme, homophony, etc. Fourth, the use of dialect words and expressions in Changsha Huagu Opera. The application and expression effect of dialect nouns, dialect verbs, dialect adjectives and dialect idioms in Changsha Huagu Opera are analyzed. Fifth, the use and expression effect of dialect rhetoric in Changsha Huagu Opera. This part investigates the use of dialect rhetoric metaphor, comparison, exaggeration, pun and its expressive effect in Changsha Hua Du Opera. Conclusion. This paper summarizes the research, summarizes the main points and innovations of this paper, and points out the shortcomings of the paper and the problems to be further studied.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H174

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