唐代字样类书汉字排检体例研究
发布时间：2018-08-20 15:36
【摘要】："字样"是指唐代用来规范汉字的文字样本。"字样学"是以辩证文字形体、字音和字义为主要内容的学问,目的是促进文字统一。唐代是字样学发展最为繁荣的时期。本文以现存的四部唐代字样类书——《干禄字书》、《五经文字》、《新加九经字样》和《正名要录》为研究对象,从汉字排检体例方面对这四部字书进行系统的研究。从前人对唐代字样类书的研究来看,多集中在字类、正字观及意义等方面,对所收汉字排检体例的关注不多。本文针对已有研究在唐代字样类书汉字排检体例研究方面的不足,进行探讨。本文的正文从三个部分展开论述:《干禄字书》的音序法;《五经文字》与《新加九经字样》的部首系统;《正名要录》的字序。本文主要采用对比法,在《干禄字书》音序法的研究方面,以《刊谬补缺切韵》(《王三》)为对比材料,将《干禄字书》所有收字与《王三》195韵一一对应,得出《干禄字书》四声表,发现韵目顺序与《王三》基本一致,字书与韵书一致更便于检索。《五经文字》与《新加九经字样》部首系统的研究,与《说文解字》的立部与归部进行对比,发现这两部字书既有对《说文》的继承,又切合文字时代性的特点,如《新加九经字样》设立了杂辨部,《五经文字》对《说文》的部首进行了酌情的合并,增加了表音部首的数量等。这些都使部首更具有检字法特征。《正名要录》以分类的方式来排列文字,这样的编排方式使文字字组的类型一目了然,在收字较少的情况下较为适用。本文通过对唐代字样类书汉字编排体例的探讨,希望有助于字书汉字排序法历史和汉字规范历史的研究。
[Abstract]:"character" means a sample of characters used to regulate Chinese characters in the Tang Dynasty. " Typography "is the knowledge of dialectical form, pronunciation and meaning, which aims to promote the unity of characters." The Tang Dynasty was the most prosperous period for the development of typography. This paper takes the existing four books of Tang Dynasty characters-"Gan-Lu characters", "Wujing characters", "New Jiaojing characters" and "correct names to record" as the research objects, and makes a systematic study of the four characters from the aspect of Chinese character layout and examination methods. In the past, the study of the Tang Dynasty typebook mainly focused on the character category, positive character view and meaning, and paid little attention to the style of Chinese character arrangement and checking. This paper probes into the deficiency of the research on the style of Chinese character arrangement in the Tang Dynasty. The text of this paper is discussed from three parts: the phonetic preface method of "Gan-Lu Book", the radical system of < Wujing character > and "New addition of Nine Classics", and the word order of "to record" in "correct name". This article mainly adopts the contrast method, in the aspect of the study of the preface method of "Gan Lu Zi Book", the article uses "Journal error complement the missing rhyme" (< Wang San >) as the contrast material, and matches all the "Ganlu word Book" with the < Wang San > 195 rhyme at one time. It is found that the order of rhyme and rhyme is basically the same as that of Wang San, and that it is easier to retrieve the rhyme book and the rhyme book. The study on the system of < Wujing character > and < New addition of Nine Classics > Comparing with the part of Shuo Wen Jie Zi, it is found that these two characters not only inherit Shuo Wen, but also suit the characteristics of the times. For example, the "new addition of nine classics" sets up the miscellaneous division, the "Wujing character" combines the radical of "Shuo Wen" in discretion, and increases the number of phonetic radicals and so on. All of these make the radical have the character of word checking. "to record the correct name" arranges the text by classification, so that the type of the character group is clear at a glance, which is more suitable in the case of fewer words received. This paper probes into the style of Chinese character arrangement in the Chinese characters of the Tang Dynasty, hoping that it will be helpful to the study of the history of the Chinese character sorting method and the Chinese character norm history.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H124.5
本文编号：2194142
[Abstract]:"character" means a sample of characters used to regulate Chinese characters in the Tang Dynasty. " Typography "is the knowledge of dialectical form, pronunciation and meaning, which aims to promote the unity of characters." The Tang Dynasty was the most prosperous period for the development of typography. This paper takes the existing four books of Tang Dynasty characters-"Gan-Lu characters", "Wujing characters", "New Jiaojing characters" and "correct names to record" as the research objects, and makes a systematic study of the four characters from the aspect of Chinese character layout and examination methods. In the past, the study of the Tang Dynasty typebook mainly focused on the character category, positive character view and meaning, and paid little attention to the style of Chinese character arrangement and checking. This paper probes into the deficiency of the research on the style of Chinese character arrangement in the Tang Dynasty. The text of this paper is discussed from three parts: the phonetic preface method of "Gan-Lu Book", the radical system of < Wujing character > and "New addition of Nine Classics", and the word order of "to record" in "correct name". This article mainly adopts the contrast method, in the aspect of the study of the preface method of "Gan Lu Zi Book", the article uses "Journal error complement the missing rhyme" (< Wang San >) as the contrast material, and matches all the "Ganlu word Book" with the < Wang San > 195 rhyme at one time. It is found that the order of rhyme and rhyme is basically the same as that of Wang San, and that it is easier to retrieve the rhyme book and the rhyme book. The study on the system of < Wujing character > and < New addition of Nine Classics > Comparing with the part of Shuo Wen Jie Zi, it is found that these two characters not only inherit Shuo Wen, but also suit the characteristics of the times. For example, the "new addition of nine classics" sets up the miscellaneous division, the "Wujing character" combines the radical of "Shuo Wen" in discretion, and increases the number of phonetic radicals and so on. All of these make the radical have the character of word checking. "to record the correct name" arranges the text by classification, so that the type of the character group is clear at a glance, which is more suitable in the case of fewer words received. This paper probes into the style of Chinese character arrangement in the Chinese characters of the Tang Dynasty, hoping that it will be helpful to the study of the history of the Chinese character sorting method and the Chinese character norm history.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H124.5
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