泰戈尔戏剧和郭沫若早期戏剧之比较

发布时间：2017-12-27 02:05

  本文关键词：泰戈尔戏剧和郭沫若早期戏剧之比较　出处：《社会科学战线》2017年08期 　论文类型：期刊论文

  更多相关文章： 泰戈尔 郭沫若 戏剧 叙事模式 “诗”剧合一

【摘要】：郭沫若早期的戏剧创作与泰戈尔的戏剧有着千丝万缕的联系。泰戈尔剧作中对人性、爱和大自然的永恒追求,为印度人民的解放斗争而呐喊的精神,对郭沫若戏剧创作影响很大。在郭沫若早期剧作中,我们能看到与泰戈尔的很多相似之处。两人在戏剧表现手法上都偏爱采用"黑暗"—"光明"的结构,以对立的人物形象设计推动戏剧冲突和情节发展;在语言风格上,作为诗人享誉文坛的两位作家都擅长运用诗歌语言,在戏剧艺术中追求一种诗的意境、情怀和气氛。
[Abstract]:Guo Moruo's early dramatic creation was closely related to Tagore's plays. The spirit of the eternal pursuit of human nature, love and nature in Tagore's plays, the spirit of the struggle for the liberation of the people of India, has a great influence on Guo Moruo's dramatic creation. In the early plays of Guo Moruo, we can see a lot of similarities with Tagore. Two people in the drama style preference of the "dark" and "light" structure, promote the development of the plot and dramatic conflict with figure design opposition; in the language style, the two writers as a poet and literary fame are adept at using the language of poetry, the pursuit of a poem in the drama in the mood and feelings and the atmosphere.
【作者单位】： 长春工业大学信息传播工程学院;
【分类号】：I106.3-03
【正文快照】： 泰戈尔的戏剧创作意蕴深远,洋溢着对人性、爱和大自然的永恒追求,他的许多作品以高昂深刻的姿态为印度人民的解放斗争而呐喊。郭沫若在早年留学日本时接触到了泰戈尔的作品,他形容自己感受到了涅i玫目炖，

本文编号：1339777