舞台灯火下的狄更斯小说艺术——城市戏剧文化和《我们共同的朋友》

发布时间：2018-01-04 15:30

本文关键词：舞台灯火下的狄更斯小说艺术——城市戏剧文化和《我们共同的朋友》　出处：《外国文学》2016年05期 　论文类型：期刊论文

【摘要】：本文试图说明《我们共同的朋友》对城市戏剧文化的借鉴和转化过程,以澄清威廉斯的两点言之不详之处。从借鉴的层面来看,小说家既参照诺尔斯的两部戏剧,建构和发展了叙事主线,也模仿童话剧中"慈善代理人"一角,塑造了小说中的核心人物。从转化的层面来看,狄更斯在对上述戏剧的改写过程中,克服了人物平面化和情节散漫化的倾向,实现了小说艺术性的升华;同时,他也将批判工业社会的锋芒寓于情节结构和人物形象中,回应了工业文明中"人情的断裂"和"人的异化"两大命题。
[Abstract]:This paper attempts to illustrate the process of reference and transformation of Urban Drama Culture by our Common friend, in order to clarify the unknowns of Williams' two points of view. According to Knowles' two plays, the novelist not only constructs and develops the main narrative line, but also imitates the corner of "Charitable Agent" in the fairy tale play, which shapes the core characters of the novel from the perspective of transformation. In the process of rewriting the above plays, Dickens overcame the tendency of flat character and loose plot, and realized the sublimation of the artistic nature of the novel. At the same time, he also embodies the vanguard of critical industrial society in the plot structure and character image, responding to the two propositions of "the break of human feelings" and "the alienation of human beings" in industrial civilization.
【作者单位】：北京邮电大学人文学院;
【分类号】：I561.074
【正文快照】： 威廉斯(Raymond Williams)在《英国小说:从狄更斯到劳伦斯》一书中曾就狄更斯小说与新兴城市大众文化之间的关系作出精辟的论述。他指出,狄更斯从城市大众文化中获得了独到的体验,由此形成了对工业社会弊端的种种回应。小说家将这些体验和回应融入了描摹景观、刻画人物和设置

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