消费西藏:帝国浪漫与高原凝视

发布时间：2018-01-18 13:03

本文关键词：消费西藏:帝国浪漫与高原凝视　出处：《西南民族大学学报(人文社科版)》2016年04期 　论文类型：期刊论文

【摘要】：一百年来,西藏一直被西方奇观化,被构想成一个神秘而充满无穷魅力之地。正如爱德华·赛义德批判"东方几乎是欧洲的发明"一样,西藏其实也是西方帝国主义的视觉虚拟化和叙述浪漫化的产物。文章选取了詹姆斯·希尔顿的《消失的地平线》,试图从景观视觉构成的角度去窥破西方帝国如何编织西藏为"世外桃源"的隐形密码。文章引用了一些有关后殖民、种族/民族的论述,探讨了景观构造与权力的纠缠,剖析了从海景到山景演变的浪漫景观美学,重新审视了这种文化想象中所注入的生物权力的问题。文章认为:西方对西藏为"香格里拉"的极端迷恋并不反映西藏本身的令人不安的现实,而是西方帝国自身的身份及文化危机,西方帝国主义的环游世界观不仅异化了西藏的自然景观,而且镂空了西藏文化及宗教的真实性。
[Abstract]:For a hundred years, Tibet has been marvel by the West, conceived as a mysterious and enchanting place, just as Edward said criticized "the Orient is almost the invention of Europe." Tibet is also the product of visual virtualization and narrative romanticization of Western imperialism. The article is based on James Hilton's lost Horizon. This paper attempts to explore how the Western Empire weaves Tibet into a hidden code of "Xanadu" from the perspective of the visual composition of the landscape. The article cites some expositions about post-colonial, racial / ethnic groups. This paper probes into the entanglement of landscape structure and power, and analyzes the romantic landscape aesthetics of the evolution from sea to mountain scenery. This paper reexamines the issue of biological power injected into this cultural imagination. The article argues that the extreme fascination with Tibet as "Shangri-la" does not reflect the disturbing reality of Tibet itself. It is the identity and crisis of the Western Empire itself. The world outlook of Western imperialism not only dissimilates the natural landscape of Tibet, but also hollowed out the authenticity of Tibetan culture and religion.
【作者单位】：美国新泽西学院英文及世界语言文学系;美国新泽西学院中文及亚洲研究学部;云南艺术学院文化学院;
【分类号】：I561.074
【正文快照】： 在1900年,创造了著名传奇侦探夏洛克·福尔摩斯的作家柯南·道尔,或许因为对自己所创造的偶像人物感到厌倦,在故事《最后一案》里,福尔摩斯与他的大敌莫里亚蒂教授进行了一场终极对决,以后者杀死了神探福尔摩斯而告终。根据道尔先生的原始情节,在与莫里亚蒂的决战中,福尔摩斯

【相似文献】