小泉八云《怪读》的“双重书写”与“起源”概念（英文）

发布时间：2018-01-19 07:20

本文关键词： 翻译重复叙述双重书写怪谈　出处：《文艺理论研究》2016年06期 　论文类型：期刊论文

【摘要】：对许多西方读者而言,小泉八云于年出版的《怪谈》经常被视为日本怪谈文学的重要文本。不过,此书原先以英文撰写并针对西方读者的事实,显示出在西方语境中作为一种文类的"怪谈"具有某种跨文化与翻译的特质,正因《怪谈》不仅仅是一本翻译作品,同时也是西方语境中怪谈文学源起的标记性著作,怪谈文类的起源因此可以是翻译研究上的有趣议题。本文企图呈现这种双重书写(double inscription)的逻辑,并依此逻辑展开对于怪谈故事中"起源"概念的分析。本文首先探讨小泉八云在该书序里描述各种关于怪谈源起的方式,其次分析书中名作《雪女》自我否定/再生产的故事结构,来解释"起源"的概念不仅仅是重复叙述/翻译所产生的效应,同时也是叙事结构本身对于故事起源的认定与扬弃的双重需求所致。
[Abstract]:For many Western readers, Koizumi's "strange talk" published in 1996 is often seen as an important text of Japanese monologue literature. However, the book was originally written in English and aimed at Western readers. It shows that the "strange talk" as a kind of literary category in the western context has some cross-cultural and translation characteristics, which is because "strange talk" is not only a translation work. At the same time, it is also a marked work of the origin of the strange talk literature in the western context. The origin of the genre can therefore be an interesting topic in translation studies. This paper attempts to present the logic of double in script. According to this logic, the author analyzes the concept of "origin" in the story of strange talk. Firstly, this paper discusses the ways in which Koizumi Banyun describes the origin of strange talk in the preface of the book. Secondly, by analyzing the story structure of the famous book "Snow Girl", it explains that the concept of "origin" is not only the effect of repeated narration / translation. At the same time, it is the dual demand of the narrative structure to identify the origin of the story and discard it.
【作者单位】：宾夕法尼亚大学东亚语言文明系;
【分类号】：I313.06
【正文快照】： The problem of translation:Lafcadio Hearn’s Kwaidan The“translation”of the Japanese termkaidan(怪谈)in the English-speaking context(sometimes translated asKwaidan)is a puzzle.It is generally understood as a Japanese term for“ghost or horror stories

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