现代性与民族性之间——20世纪50—70年代美国华文文学中的西方城市书写

发布时间：2018-01-19 10:12

本文关键词： 世纪—年代的美国华文文学西方城市现代性民族性　出处：《暨南学报(哲学社会科学版)》2016年11期 　论文类型：期刊论文

【摘要】：20世纪50—70年代的美国华文文学,是第一批以西方城市为书写背景或表现对象的华文文学,其中的西方城市往往以负面形象出现,并且充满华人移民对西方城市的消极体验,这与80年代以后中国的城市文学形成微妙的呼应,但是与后者不同的是,城市与乡村的二元叙事被消解,代之以美国与中国的二元对立,美国城市成为华文作家民族性与西方城市现代性斗争和博弈的场所,其结果是,华文作家以强大的民族性对西方城市现代性进行了挤压和驱逐,致使其文学书写中对西方现代性的集体去魅。
[Abstract]:In 20th century, the American Chinese literature in the 1950s and 1970s was the first group of Chinese literature written in the background or performance of western cities, in which western cities often appeared in a negative image. And full of the negative experience of Chinese immigrants to the western cities, which formed a subtle echo with the Chinese urban literature after 80s, but different from the latter, the dual narration between the city and the countryside was dispelled. Instead of the dualistic opposition between the United States and China, American cities have become a place for Chinese writers to struggle and play with the modernity of Western cities, and the results are as follows. Chinese writers have squeezed and expelled the modernity of western cities with their strong nationality, which led to the collective disenchantment of western modernity in their literary writing.
【作者单位】：南开大学外国语学院;
【基金】：天津市哲学社会科学规划项目《美国华人文学空间叙事研究》(批准号:TJWW15—008)
【分类号】：I106.4
【正文快照】： 仅在创作基调和主题等方面表现出不容忽略的共通之处,在身份认同上也呈一边倒的趋势:无论是丛苏、白先勇、於梨华等人的小说还是叶维廉、郑愁予等人的诗歌创作,都表现出对祖国故乡的深情回望和坚定的国族立场,这也使这一时代不同于之后的大陆新移民作家群,因为后者展现出多元

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