泰戈尔与郭沫若的诗歌精神

发布时间：2018-01-19 11:16

本文关键词： 诗歌精神存在典型性　出处：《同济大学学报(社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：最早接受泰戈尔影响又最早抛弃泰戈尔的郭沫若,其诗歌创作和诗歌理论既具有鲜明的泰戈尔色彩,又表现出独特性,代表了中国新诗从接受外来影响到走向自觉的过渡性特征。文章细致梳理了郭沫若诗歌创作初期所受泰戈尔的影响以及出于自身思想变化而对泰戈尔的弃绝,并指出:泰戈尔诗歌作为一种精神存在,实际上已成为郭沫若诗歌及人格的内在要素了。在中国现代文学与外国文学的时代交集中,郭沫若与泰戈尔的文学关系具有鲜明的典型性。
[Abstract]:Guo Moruo, who first accepted the influence of Tagore and abandoned Tagore, has both distinctive Tagore color and unique poetic theory. It represents the transitional characteristics of Chinese new poetry from accepting foreign influence to becoming conscious. The article combs the influence of Tagore in the early stage of Guo Moruo's poetry creation and the rejection of Tagore because of the change of his own thoughts. It also points out that as a kind of spiritual existence, Tagore's poetry has actually become an internal element of Guo Moruo's poetry and personality, and has been concentrated in the era of Chinese modern literature and foreign literature. The literary relationship between Guo Moruo and Tagore is of distinct typicality.
【作者单位】：同济大学国际文化交流学院;
【基金】：国家社会科学基金项目“中国泰戈尔学建构关键问题研究”(项目编号:14BWW025)
【分类号】：I207.25;I351.072
【正文快照】： (1)郭沫若:《诗作谈》,见王训昭等编:《郭沫若研究资料》(上),北京:中国社会科学出版社,1986年,第264页。郭沫若自称是一位偶像崇拜者,同时也是一位偶像破坏者。在他众多的偶像中,先被他竖起膜拜,继而又亲手打碎的,就有泰戈尔。但他打碎的泰戈尔是要以东方文明征求西方文明的

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