高尔基自传体三部曲中的异化主题

发布时间：2018-01-19 12:44

  本文关键词： 异化 施虐狂和受虐狂 崇生和趋死 上帝与人 男人和女人　出处：《俄罗斯文艺》2016年04期 　论文类型：期刊论文

【摘要】：高尔基是俄罗斯著名作家,曾被普遍认为是苏联时期社会主义现实主义文学代表。在19世纪末20世纪初俄国社会动荡及意识巨变的白银时代,高尔基深受现代主义文学的影响,在反映外部现实世界的同时,也深入探索个体的意识领域及人的内心世界。在西方资本主义文明与俄罗斯社会文化相互碰撞的深刻历史背景下,作家借助系列文学创作提出了人的异化,即人的非人化及主体性丧失等问题。本文通过对高尔基自传体三部曲中施虐狂和受虐狂、崇生和趋死、上帝和人、男人和女人等对立形象的分析,阐释其对人性的深刻洞察和对宗教异化现象的批判思想,以求进一步认识作家创作的深广内涵。
[Abstract]:Gorky is a famous Russian writer who was widely regarded as the representative of socialist realism literature in the Soviet period. At the end of 19th century and the beginning of 20th century Russian social unrest and great changes in consciousness of the silver era. Gorky was deeply influenced by modernist literature and reflected the external real world at the same time. In the background of the collision between western capitalist civilization and Russian social culture, the writer puts forward the alienation of human with the help of a series of literary creation. This paper analyzes the opposites of sadism and masochism in Gorky's autobiographical trilogy, living and dying, God and man, men and women. It explains his deep insight into human nature and his critical thought on the phenomenon of religious alienation in order to further understand the profound and extensive connotation of the writer's creation.
【作者单位】： 哈尔滨师范大学斯拉夫语学院;
【分类号】：I512.074
【正文快照】： The Theme of Alienation in Gorky's Autobiographical Trilogy高尔基虽享誉世界文坛,但他受到了来自同时代不同阵营作家及后世评论者对其文学成就、理论思想的质疑和诟病。“关于艺术家高尔基三言两语就足够了,再多就不值得了。”[1]《母亲》(1906)和《忏悔》(1909)等多部作，

本文编号：1444253