史诗性范畴的美学意蕴及精神寻踪

发布时间：2018-01-23 02:36

本文关键词： 史诗史诗性反史诗后史诗散文气　出处：《文学评论》2017年01期 　论文类型：期刊论文

【摘要】：作为审美范畴之一的史诗性,广泛存在于各种叙事艺术中,是艺术价值的一种重要尺度。以往中国学术界或将史诗作为一种文体形式进行研究,如民俗学界和外国文学界;或将史诗性作为长篇小说的一种追求去探讨,如现当代文学界。史诗性的传统审美特征体现为民族性、整体性、英雄性、全景性等四个方面。在后现代语境下,与史诗性相关的进步叙事、宏大叙事和英雄叙事等被抵制,史诗性变异为后史诗,呈现出平民性、日常性、世俗性等特点。这与后现代的反本质主义、空间化、消费化、微媒体的兴起等不无关系。史诗性作为一种审美范畴,既是人类共享的一种审美需求,一个民族的审美记忆,也是艺术作品中一种长存的风格。
[Abstract]:As one of the aesthetic categories of historical poetry, widely exist in various narrative arts, is an important measure of artistic value. In the past, the Chinese academic circles or the epic as a style of study. Such as folklore and foreign literary circles; Or take the historical poetry as a kind of pursuit of the novel, such as modern and contemporary literary circles. The traditional aesthetic characteristics of historical poetry are reflected in four aspects: nationality, integrity, heroism, panorama, etc. In the post-modern context. The progressive narration, grand narrative and heroic narration related to historical poetry are resisted, and the historical poetic nature mutates into post-epic, which presents the characteristics of populace, daily and secular, which is related to the post-modern anti-essentialism and spatialization. As a kind of aesthetic category, historical poetry is not only a kind of aesthetic demand shared by human beings, but also a kind of lasting style in art works.
【作者单位】：扬州大学文学院;
【分类号】：I106
【正文快照】： 作为文体的史诗,虽然“我们发现它已是一种完全现成的、甚至是僵化的、几乎失去作用的体裁”(1),但是,史诗精神在小说、电影、电视剧等叙事艺术中得以延续,以审美范畴——史诗性的形式存在。“衡量某一时代、民族文学的发展水平,最重要的同时也是最基本的标准之一就是看它能否

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