经典的深度与品读的维度——从陀思妥耶夫斯基的《罪与罚》谈起

发布时间：2018-02-26 08:36

本文关键词： 经典品读陀思妥耶夫斯基《罪与罚》　出处：《甘肃社会科学》2016年06期 　论文类型：期刊论文

【摘要】：对经典文本持有不同的视界,便会获得不同的品读维度。俄罗斯文学的经典文本为谈论经典蕴含上的深度与品读上的维度,提供了相当丰富的例证。陀思妥耶夫斯基的小说力作就是具有深厚蕴含而能召唤多维度品读的文本范例。《罪与罚》中的拉斯柯尔尼科夫这个艺术形象的价值蕴含,堪称是有深度的:这是一个具有强大精神能量敏于思考敢于挑战的现代个性:一个致力于跨越"异化"的生存法则与不人道的现实社会价值标准的反抗者;一个在对社会的超越中也超越了自身崇高理想而遭遇失落的悲剧主人公;一个在各种意识的聚变中始终不懈地探求着超越的理想途径即完全人道主义地变革现实生活的探索者。反抗、失落、探索犹如三个"声部"彼此交织,构成拉斯柯尔尼科夫"这一个"人物形象的美学内蕴。
[Abstract]:If you hold different horizons to classical texts, you will get different reading dimensions. The classical texts of Russian literature are the ones that talk about the depth of classical texts and the dimensions of reading. Dostoevsky's masterpiece is an example of a text with profound implications that can call upon a multi-dimensional reading. The value implication of the artistic image of Raskolnikov in Crime and punishment. It can be called as deep: it is a modern personality with strong spiritual energy sensitive to thinking and daring to challenge: a rebel committed to surmounting the "alienation" of the rules of existence and inhuman realistic social values; A tragic protagonist who has also transcended his lofty ideals and encountered the loss in the transcendence of the society; In the fusion of all kinds of consciousness, an explorer who has been unremittingly seeking the ideal way of transcending, that is, a completely humanitarian transformation of real life, resists, loses, and explores as if the three "voices" interweave with each other. The aesthetic connotation of Raskolnikov's character.
【作者单位】：浙江大学人文学院;
【分类号】：I512.074

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