后现代城市意象与小说《大都会》的反商业化写作

发布时间：2018-03-06 00:20

本文选题：唐·德里罗　切入点：《大都会》　出处：《南通大学学报(社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：当代美国作家唐·德里罗的小说《大都会》通过主人公的纽约城内一日行展现了纽约第47大街高耸的建筑、拥堵的交通、抗议全球化示威游行、都市葬礼、电影街拍现场等多个典型的后现代城市意象。最高公寓楼与白色豪华轿车隐喻了难以抑制的后现代都市商业欲望;交通拥堵与街头骚乱暗指拥簇无序的后现代都市商业文明;而街头葬礼与电影街拍则揭示后现代商业化都市灵魂无处安放的本质。在这些后现代城市意象描写的字里行间,德里罗表达了强烈的反商业化思想。小说《大都会》揭示了德里罗反思后现代城市文明的人文主义情怀,寄予了德里罗对后现代城市文明未来走向的忧思,体现了德里罗的后现代现实主义创作思想。
[Abstract]:Contemporary American writer Don Delillo's novel "Metropolitan" shows the city's 47th Street towering buildings, traffic jams, protests against globalization, urban funerals through its protagonist's 1st trip to New York City. The highest apartment building and the white limousine symbolize the irrepressible post-modern urban commercial desire, the traffic jam and the street riots imply the post-modern urban commercial civilization. And street funerals and movie street filming reveal the nature of the post-modern commercial urban soul nowhere to be laid. Between the lines of these postmodern city images, The novel Metropolitan reveals the humanism of Drero's reflection on postmodern urban civilization, and expresses his worries about the future trend of postmodern urban civilization. It embodies Delillo's post-modern realism creation thought.
【作者单位】：南通大学外国语学院;
【基金】：江苏省高校哲学社会科学基金项目(2014SJD614) 江苏省社会科学基金项目(16WWB002)
【分类号】：I712.074

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