中韩现代文学起步阶段传统抑扬与外因接受——以鲁迅与春园的文学创作比较为中心

发布时间：2018-03-10 09:24

本文选题：中韩现代文学　切入点：鲁迅　出处：《吉林大学社会科学学报》2016年05期 　论文类型：期刊论文

【摘要】：鲁迅和春园的文学创作,各为中韩现代文学起步的重要标志之一,是两国现代文学"没有影响的类似性"的典型代表。其文学起点处在各自国家的启蒙时期,都抱着以"文学之器"批判和揭露同源的封建伦理思想及其给国民造成的罪状的初衷,展开各自的文学实践。他们都采取批判与接收的辩证态度取舍本国文学传统,都通过留学日本接触并接受了各自所需的"舶来"文艺思想,丰富了自己的文学世界,也为各自国家的现代文学开启了一个前所未有的境界。以比较文学的方法,考证二人在各自文学实践当中的传统抑扬与外来文艺思想的接受状况,分析二人在这一过程中所呈现出的异同点,不仅有助于比较研究中韩两国现代文学各自的特征、演变进程,对论证中韩两国文学从"影响关系"逐步走向"独立体系"的文学史实,也有其现实意义。
[Abstract]:The literary creation of Lu Xun and Chunyuan, respectively, is one of the important symbols of the beginning of modern literature between China and Korea, and a typical representative of the "unaffected similarity" of the modern literature of the two countries, whose literary starting point is in the enlightenment period of their respective countries. With the original intention of criticizing and exposing the feudal ethics thought of the same origin and the crime caused to the people by "the instrument of Literature", they all adopted the dialectical attitude of criticism and reception to choose and choose their own literary tradition. By studying in Japan, they have come into contact with and accepted their respective "imported" literary ideas, enriched their own literary world, and opened up an unprecedented realm of modern literature in their respective countries. It is not only helpful to compare and study the characteristics of modern literature in China and Korea, but also to study the traditional inhibition and the reception of foreign literary thoughts in their respective literary practice, and to analyze their similarities and differences in this process. The process of evolution is also of practical significance to demonstrate the historical facts of Chinese and Korean literature from "influence relation" to "independent system".
【作者单位】：吉林大学外国语学院朝鲜语系;
【分类号】：I106-03

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