被忽略的现代主义诗人斯托勒

发布时间：2018-03-21 00:44

本文选题：斯托勒　切入点：弗林特　出处：《外国文学》2017年04期 　论文类型：期刊论文

【摘要】：斯托勒是一位被忽略的现代主义诗人,他1908年出版的《幻觉的镜子》含有英国最早的自由诗理论;他在休姆的"形象俱乐部"活动期间,曾经领导过意象的试验和讨论。在意象主义起源的争论中,弗林特出于斯托勒在自由诗和意象上的贡献,将其视为意象主义诗人的先驱。但弗林特的观点遭到了庞德的强烈反对。庞德依据精确美学以及意象主义的组织标准,认为斯托勒与意象主义没有关系。庞德对斯托勒的理解是片面的,他未能注意到斯托勒倡导的古典主义诗学的核心正是精确性;而且,这种诗学的立场在于反对浪漫主义的夸张和新奇的风格,尊重传统而非个性。综合来看,斯托勒的诗学确实与意象主义美学相近。当代批评家大多接受了弗林特的观点,将其视作意象主义诗人。但是这些批评家由于固守狭隘的成见,机械地用意象主义的原则来解释斯托勒,反倒重新模糊了斯托勒的诗学价值。在肯定斯托勒的先驱者地位之后,需要将斯托勒与意象主义再次分割开,以全面理解这位孤独的现代主义诗人。
[Abstract]:Stoller is a neglected modernist poet, he published in 1908 "the illusion of the earliest British mirror > containing free poetry theory; during his time in Hume's image of" club "activities, had led the imagery of the imagism in experiment and discussion. The origin of the debate, Flint Stoller in poetry and for free the image of the contribution will be regarded as the pioneer of Imagist poets. But Flint's views were strongly opposed by Pound. Pound on the precise aesthetics and Imagism organization standards that Never mind Stoller and Imagism. Pound's understanding of Stoller is one-sided, he failed to pay attention to the core of the classical Stoller advocate it is precisely poetics; moreover, this position is to oppose the romantic poetic exaggeration and novel style, rather than the traditional respect for individuality. In general, Stowe Le Poetics Indeed Imagism and aesthetics are similar. Contemporary critics mostly accepted Flint's ideas, be regarded as imagist poet. But these critics due to stick to the narrow prejudices, mechanically explained Stoler Imagist principles, but re fuzzy Stoler's poetics value. After the position of pioneer Stoler, and Stoler will need to Imagism again separated, in order to fully understand the lonely poet of modernism.

【作者单位】：台州学院人文学院;
【基金】：国家社科基金重大项目“19世纪西方文学思潮研究”(15ZDB086) 国家留学基金资助(2016—2017)
【分类号】：I561.072

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