1950-1970年代法国女作家想象中国的方式论

发布时间：2018-03-31 16:11

本文选题：法国女作家　切入点：中国想象　出处：《贵州社会科学》2016年01期

【摘要】：在波伏瓦、文慕贝和克里斯蒂娃等人的《长征》、《中国妇女》、《每个人的中国》等作品中,她们用丰富多样的想象方式为读者展现了一个全面而立体的中国形象。在她们的作品中,中国的任何人、事物或现象,都不是单一的质点,而是由多种因素、层次、属性构成的复杂体,与其他的人、事物或现象有着复杂的相互关系和相互作用。依据相似性想象,这些法国女作家呈现了一个惊悚而又和善的中国形象;依据相近性想象,她们展现了一个发展、进步的中国形象;依据相反性想象,她们展现了一个动态、包容的中国形象。经由这几种想象,波伏瓦、克里斯蒂娃、文慕贝等法国女作家瓦解了西方主流意识形态操控的"黄祸"论和"红祸"论等文化偏见,为西方读者敞开了这一时期被西方政治主流话语所遮蔽的真实、复杂的中国形象,体现了西方女性作家对男性作家话语权威的一种批判和颠覆。
[Abstract]:In the "long March", "Chinese Women" and "everyone's China" by Bovova, Mumbe and Cristina, they present a comprehensive and three-dimensional Chinese image to the reader in a variety of imaginative ways. Any person, thing or phenomenon in China is not a single particle, but a complex body composed of many factors, levels, and attributes. It has complex interrelations and interactions with other people, things or phenomena. These French women writers present a thrilling and friendly image of China; based on similar imaginations, they present a Chinese image of development and progress; on the contrary, they present a dynamic picture. Inclusive image of China. Through these imaginations, French women writers, such as Bovwa, Cristi, and Mumbe, have disintegrated cultural prejudices such as "yellow peril" and "red peril", which are manipulated by mainstream western ideologies. The real and complicated image of China, which was obscured by the mainstream western political discourse in this period, has been opened up for the western readers, which reflects the criticism and subversion of the discourse authority of the male writers by the western female writers.
【作者单位】：武汉大学;
【分类号】：I565.06

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