论郭沫若与惠特曼诗歌的精神关系——兼与史记先生商榷

发布时间：2018-04-01 05:18

本文选题：郭沫若　切入点：惠特曼　出处：《学术界》2017年03期

【摘要】：史记先生等文学评论家普遍认为以《女神》为代表的郭沫若的诗歌是在惠特曼诗歌精神的影响下创作而成,因此郭沫若被称为"中国的惠特曼"。但是,若仔细审视郭沫若的作品,发现他只是侧重于鉴赏和吸收到惠特曼平民观、城市观、灵肉一致的爱情观的表面特征,惠特曼诗歌平民观背后的泛神论、城市观背后的仁爱论、"灵肉一致"的爱情观背后的对国民的深层价值秩序结构改正的意义没有被郭沫若深入地体悟。郭沫若偏重于在本土语境的视阈下把惠特曼的诗歌精神和中国的现实相结合,以及借鉴惠特曼的诗风来扩展了诗歌话语资源,开拓了诗学视野,丰富了文学想象的审美环境和诗情空间,而不是侧重理解其形而上的哲学特征,这方面则被史记先生和其他学者所忽视。
[Abstract]:Literary critics such as Mr. Shiji generally believe that Guo Moruo's poems, represented by the Goddess, were created under the influence of Whitman's poetic spirit, so Guo Moruo is called "Whitman of China." If we take a closer look at Guo Moruo's works, we can find that he only focuses on appreciating and absorbing the superficial features of Whitman's concept of common people, city view, spirit and flesh, and the pantheism behind Whitman's concept of common people. The theory of benevolence behind the city view and the meaning of correcting the deep value order structure of the nation behind the "spiritual and physical unity" love view were not deeply understood by Guo Moruo. Guo Moruo emphasized Whitman from the perspective of local context. The spirit of poetry and the reality of China, Using Whitman's poetic style for reference, it expands the poetic discourse resources, expands the poetic field of vision, enriches the aesthetic environment and poetic space of literary imagination, and does not focus on understanding its metaphysical philosophical features. This aspect is ignored by Mr. Shi Ji and other scholars.
【作者单位】：南京大学中国新文学研究中心;安徽大学文学院;
【基金】：教育部人文社会科学重点研究基地重大项目“人性话语与二十世纪文学”(12JJD7500192)的阶段性成果
【分类号】：I106.2

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