村上春树作品中的中国人物形象

发布时间：2018-04-09 05:33

本文选题：村上春树　切入点：中国人　出处：《上海外国语大学》2017年硕士论文

【摘要】：众所周知,村上春树是当下最受欢迎的日本作家之一。1979年村上凭借《且听风吟》获得第23届“群像新人奖”,从此登上日本文坛。他的作品被翻译成40多种语言传播到世界各地。大多数学者在研究村上的作品时,往往较多关注其创作风格与特点、作品的主题、主人公形象以及作品的受容等方面,却很少关注村上作品中出现的中国人形象。因此,本文以村上春树作品中出现的“中国人形象”为研究课题,试分析作品中的中国人形象以及作家为何塑造这些中国人形象的深层原因。本文主要以“青春三部曲”(《且听风吟》、《1973年的弹子球》、《寻羊冒险记》)中的“杰”,《去往中国的小船》中的“小学教师”、“打工处的女大学生”、“卖辞典的高中男同学”,《天黑以后》中的“娼妇”、“黑社会男子”,这6位中国人物为研究对象。全文共分三章,第一章从人物语言、动作、关系等方面分析中国人形象。第二章在第一章的基础上尝试分析中国人形象之间的关联和变化。第三章主要阐述了村上与中国的关联,以及这种关联在其作品中的反映。通过考察,可以发现中国人形象从“青春三部曲”到《天黑以后》,由相对“静态”转变为“动态”,并且在这些人物背后始终贯穿着“船”这一意象。“船”的意象在各自作品里分别对应“眺望去中国的船”、“等待去中国的船”、“船即将出发”三个层次。此外,从村上本人与中国的关联以及围绕与中国相关的发言中,不难发现村上对中日问题是有明确认识的,而这种认识也鲜明地体现在他作品中塑造的中国人形象中。
[Abstract]:As we all know, Haruki Murakami is one of the most popular Japanese writers. In 1979, Murakami won the 23rd "New people of the Elephant Award" for listening to the Wind.His works have been translated into more than 40 languages and spread around the world.When studying Murakami's works, most scholars tend to pay more attention to their creative style and characteristics, the theme of the works, the image of the protagonist and the tolerance of the works, but pay little attention to the Chinese image in Murakami's works.Therefore, taking the "Chinese image" in Murakami's works as the research topic, this paper tries to analyze the Chinese images in the works and the deep reasons why the writers shape these Chinese images.In this paper, the author mainly uses "hero" in "Youth Trilogy" ("listening to the Wind", "Pill Ball in 1973", "A Sheep's Adventure"), "Elementary School teacher" in "boats to China", "female College students working in China".The six Chinese characters in the Dictionary of Senior High School students, the prostitutes and the Triad Men in "after dark" are the subjects of study.The first chapter analyzes the image of Chinese people from the aspects of language, action and relationship.The second chapter tries to analyze the relationship and change of Chinese image based on the first chapter.The third chapter mainly expounds the relation between Murakami and China and its reflection in his works.Through investigation, we can find that the image of Chinese has changed from "youth trilogy" to "after dark" from relative "static" to "dynamic", and the image of "ship" is always running through behind these characters.The images of "ship" correspond to "the ship to China", "the ship waiting to go to China" and "the ship about to start" in their respective works.In addition, from the connection between Murakami and China and his speech about China, it is not difficult to find that Murakami has a clear understanding of the issue of China and Japan, and this understanding is clearly reflected in the image of Chinese created in his works.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.074

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