论集体创作范式下的“她者”的书写——以《李尔的女儿们》为例

发布时间：2018-04-16 10:10

  本文选题：集体作者叙述 + 前写本　； 参考：《西安外国语大学学报》2017年02期

【摘要】：由英国女子戏剧组(WTG)和伊莱恩·范思坦共同创作的《李尔的女儿们》不仅是女性莎剧改写的代表之作,更是当代集体创作戏剧的典范。在该剧中,集体创作的概念不仅体现于创作本身,更以"集体作者叙述"的叙事策略贯穿于作品的语言构建:该剧以前写本的形式,以不同于莎剧诗学语言的故事性话语,构建了一个由童话、记忆、歌谣等组成的复调叙述,从而讲述了一个"她者"的故事,将当代戏剧的合谋性和意义的流动性推向极致。
[Abstract]:The daughters of Lear, co-authored by the British Women's Drama Group WTG and Elaine Van Stein, are not only a representative of the rewriting of women's Shakespeare dramas, but also a model of contemporary collective dramas.In this play, the concept of collective creation is embodied not only in the creation itself, but also in the language construction of the work with the narrative strategy of "collective author narration": the form of the previous book of the play is different from the narrative language of Shakespeare's poetics.A polyphonic narrative composed of fairy tales, memories and ballads is constructed, which tells the story of the "other" and pushes the collusion of contemporary drama and the fluidity of meaning to the extreme.
【作者单位】： 北京科技大学外国语学院;
【基金】：国家社科基金项目“战后英国戏剧中的莎士比亚”(项目编号:10BWW025)的部分成果
【分类号】：I561.073
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本文编号：1758424