柔石与小林多喜二作品中苦难者形象比较研究

发布时间：2018-04-16 19:03

本文选题：柔石 + 小林多喜二　；参考：《辽宁大学》2017年硕士论文

【摘要】：柔石(1902-1931)和小林多喜二(1903-1933)作为20世纪二三十年代中国和日本杰出的左翼文学家、革命家,无论是对无产阶级革命事业还是现实主义文学都做出了卓越的贡献。柔石和小林多喜二都生活在动荡的年代,对底层穷苦人民遭受到的苦难有着切身的体会和深刻的同情,他们在作品中毫不留情地揭露劳苦大众灵魂深处的苦难、麻木和扭曲,其艺术性和思想性是值得我们一再研究和品读的瑰宝。本文重在对两位作家的生平遭际和写作过程等方面进行分析,考察他们文中的人物形象在性格、思想上的异同,分析他们的独特性,继而探究形成这些异同的原因。本文主要将这些人物形象分为三个类型来讨论,即受侮辱的女性形象、觉醒中的青年形象和被压迫的农民形象。在受侮辱的女性形象中,主要讨论两位作家笔下女性低下的社会地位和艰难的生存困境,以及相似的母亲形象的塑造,并比较女性斗争意识的不同,即一方是软弱怯懦的殉葬者,另一方是具有自我意识的反抗者。觉醒中的青年形象主要讨论两位作家笔下青年的不同精神状态,他们都是有理想、有正义感的知识分子,但柔石侧重表现知识青年苦闷彷徨的精神状态,即平民式“多余人”形象,而小林多喜二则更擅于塑造光明的革命斗士,表现他们在反动统治的镇压下忠于信仰为党奋斗的一生。被压迫的农民形象从农民角度探究两位作家笔下农民的两面性,即一面是作为奴才的“受虐者”,另一面又是有着专制意识的“施虐者”。作为施虐者,柔石笔下的农民又表现出凶狠暴戾的特点,而小林多喜二塑造的农民身上又体现出根深蒂固的“奴隶根性”。
[Abstract]:Rou Shi (1902-1931) and Kobayashi Kobayashi (1903-1933) as Chinese and Japanese outstanding left-wing writers and revolutionaries, both proletarian revolutionary cause and realistic literature have made outstanding contributions.Rou Shi and Kobayashi both live in turbulent times and have a personal understanding and deep sympathy for the suffering suffered by the poor people at the bottom. In their works, they unreservedly expose the suffering, numbness, and distortion deep in the soul of the laborious masses.Its artistic and ideological content is a treasure worthy of our repeated study and reading.This paper focuses on the analysis of the life experience and writing process of the two writers, examines the similarities and differences of their characters in character and thought, analyzes their uniqueness, and then probes into the reasons for these similarities and differences.This paper mainly divides these characters into three types: the insulted female image, the awakened youth image and the oppressed peasant image.In the insulted image of women, this paper mainly discusses the low social status and difficult living predicament of women described by the two writers, as well as the portrayal of similar images of mothers, and compares the different consciousness of women's struggle.One is a weak and cowardly martyr, the other is a self-conscious rebel.The youth images in the awakening mainly discuss the different mental states of the two writers' young people. They are intellectuals with ideals and sense of justice, but Rou Shi focuses on the spiritual state of expressing the distress and loss of the intellectual youth.That is, the image of "superfluous people" in the form of civilians, while Kobayashi was even better at shaping bright revolutionary fighters, showing their loyalty to the faith and struggle for the Party under the reactionary repression.The image of the oppressed peasants explores the two sides of the peasants' works from the perspective of the peasants, that is, one side is the "masochist" as a slave, the other is the "abuser" with autocratic consciousness.As an abuser, the peasants written by Rou Shi showed the characteristics of ferocity and violence, while the peasants shaped by Xiaolin Duoxiji showed deep-rooted "slave roots".
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I106-03

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