1842-1919年德语文学中的三种中国空间形态论

发布时间：2018-04-24 22:05

本文选题：德语文学 + 空间形态　；参考：《贵州社会科学》2017年04期

【摘要】：1842-1919年时期,德语文化圈中的知识分子个人与文化共同体、理想与现实、情感与理智之间的矛盾与冲突尤为突出。作为这种矛盾与冲突引发的现代性焦虑的生成物,这一时期的德语作家建构了一种不同于启蒙大发现时期的二重性的中国空间形象。具体而言,它主要表现为:顽固而又滞后的中国政治空间、虚无而又充盈的中国哲学空间、浪漫而又情欲化的中国文学空间。此时期的德语作家企图以这种对于中国政治、中国哲学、中国文学的二重性空间的想象去解决神性祛魅、人性异化的时代弊病与精神困境,然而,无论是哪一种想象,都未能使德语作家如愿获得救赎,反而通过重复性的自我确证而令他们最终陷入了自我膨胀的危机之中。
[Abstract]:In the period of 1842-1919, the contradiction and conflict between intellectual individual and cultural community, ideal and reality, emotion and reason were particularly prominent in German cultural circle. As the product of the modernity anxiety caused by the contradiction and conflict, the German writers in this period constructed a Chinese spatial image which is different from the Chinese spatial image in the period of the great discovery of enlightenment. Concretely speaking, it is mainly manifested as: stubborn and lagged Chinese political space, empty and full of Chinese philosophy space, romantic and lust space of Chinese literature. German writers of this period attempted to solve the disenchantment of divinity, alienation of human nature and spiritual dilemma by imagining the dual space of Chinese politics, Chinese philosophy and Chinese literature. However, no matter what kind of imagination, Instead of redeeming German writers, they end up in a crisis of self-expansion through repetitive self-confirmation.
【作者单位】：武汉大学;
【基金】：湖北省高等学校省级教学研究项目“跨学科视野下比较文学跨媒介教学的探索”(2014037)
【分类号】：I106

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