白银时代俄罗斯文学中的东方主题与形象

发布时间：2018-04-27 08:17

本文选题：白银时代 + 东方　；参考：《上海外国语大学》2017年博士论文

【摘要】：十九二十世纪之交是,在世界艺术史上的一个特殊的时期。欧洲和俄罗斯的许多思想家,将它定义为一个危机和过渡时期。十九世纪末二十世纪初是俄罗斯的自我价值重估和公众意识发生根本性变化的时代。这时代普遍被称为白银时代。在这个自我价值重估的时代,各流派诗人在世界各地文化寻找新的价值观,新的艺术形式,东方文化也不例外。转向东方,其主要原因是欧洲现代主义中的东方元素潮流的影响。但值得注意的是,在俄罗斯,对东方的兴趣不仅仅是异国情调的风格。白银时代文化从风格形式,形式的新花样慢慢转向精神深处,这样,很快转向了寻求某种统一的宗教神秘主义的世界观。转向东方意味着排斥欧洲中心主义,文化范式的根本性改变,并相信俄罗斯担任文明的使命。论文主要梳理白银时代俄罗斯文学各流派中的东方主题、体裁、形象,述评各流派中的东方风格作品的特征。通过具体的文本分析,从主题、形象等方面深入的分析和论述俄罗斯白银时代文学。“东方”指的是:中国、日本、印度、阿拉伯及波斯的穆斯林东方,文明古国(埃及、苏美尔、亚述等)。论文由绪论、正文、结语、参考文献四部分组成。绪论部分回顾俄中两国学者在俄罗斯文学中的东方主题与元素方面的研究历史以及研究现状,阐述论文的选题意义、研究方法和创新之处。正文分为五章。第一章《俄罗斯文学中的东方主题与形象》主要介绍俄罗斯文学中的东方主题的发展历史、白银时代俄罗斯文学与东方主题。第二章《象征主义文学中的东方主题与形象》分为四节:中国和日本主题与形象,印度主题与形象,伊斯兰主题与形象,其他文明古国主题与形象。本章中,笔者重点分析巴尔蒙特创作,也提到勃留索夫和别雷。象征主义诗人在东方元素诗中,谈了生命轮回和转世论,基督教及伊斯兰教一神论。因为,白银时代诗人与作家都寻找新的全球同一的世界观,并且通过了解世界宗教创造新的人类同一的宗教。第三章《阿克梅主义文学中的东方主题与形象》分为三节:中国和印度主题与形象,伊斯兰主题与形象,非洲主题与形象。本章中,笔者重点分析古米廖夫创作,并从东方主题和东方形象两个层面剖析阿克梅主义文学创作。诗人笔下的佛教是主要涉及佛教的核心理论——轮回的学说。他将轮回解释为孤独灵魂的徘徊,并他失去了最初的和谐,诚信。他的非洲主题不仅是《长颈鹿》、《扎拉公主》、《乍得湖》,也包括埃及主题。他的埃及主题不像象征主义的埃及,而古米廖夫引入俄罗斯诗歌“另一个埃及”,其最重要的元素是基督教的圣地。第四章《未来主义文学中的东方主题与形象》分为三节:中国和日本主题与形象,印度主题与形象,伊斯兰主题与形象。本章的研究重点为赫列勃尼科夫笔下的东方。在《没有T的暴君》中的伊朗,对诗人来说,是“丢失天堂”,“人间天堂”。《没有T的暴君》,一方面,是一种创造新艺术作品的尝试,另一方面,诗人在表达自己统一世界文化和宗教的想法。第五章《现实主义文学中的东方主题与形象》分为三节:佛教和印度教主题与形象,伊斯兰主题与形象,其他文明古国主题与形象。为研究重点,笔者选择布宁的创作,而且如果在以上提到的几章中,笔者分析诗歌的话,在本章中分析散文和诗歌。结语部分对全文进行归纳和总结,指出论文存在的不足及今后的研究方向。
[Abstract]:Nineteen twentieth Century was a special period in the history of world art. Many thinkers in Europe and Russia defined it as a crisis and transition period. In the late nineteenth Century and early twentieth Century, it was the era of the revaluation of Russia's self value and the fundamental change of public awareness. This era is generally known as the silver age. In this era of self value revaluation, the poets of all schools in the world seek new values, new forms of art and Oriental Culture in all parts of the world. The main reason for the shift to the East is the influence of the eastern element trend in European modernism. But it is worth noting that in Russia, the interest in the East is not only a foreign country. The style of the silver age. The culture of the silver age turned from style to form and form to the deep spirit, so it quickly turned to a world view of a unified religious mysticism. To the East, the Orient meant the exclusion of European centralism, the fundamental change of cultural paradigm and the mission of Russia to serve as a civilization. The eastern themes, genres and images of the various schools of Russian literature in the silver age are the characteristics of Eastern style works in various schools. Through specific text analysis, the Russian Silver age literature is deeply analyzed and discussed in terms of themes and images. "Orient" refers to the Muslim east of China, Japan, India, Arabia and Persia. Fang, ancient civilizations (Egypt, Sumerian, Assyria, etc.). The thesis consists of four parts: introduction, text, conclusion, and reference. The introduction reviews the history and present situation of the research on the Oriental themes and elements in Russian literature by the Russian and Chinese scholars, and expounds the significance of the topic, the method and the innovation of the thesis. The text is divided into five chapters. The first chapter, the Oriental theme and image in Russian literature, mainly introduces the history of the Oriental theme in Russian literature, the Russian literature and the Oriental theme in the silver age. The second chapter, the Oriental theme and image in the symbolism literature, is divided into four sections: the theme and image of China and Japan, the theme and image of India, the theme of Islam and the Islamic theme In this chapter, the author focuses on the analysis of Balmont's creation, and also mentions the symbolist poets in the Oriental poetry, talking about the life cycle and the theory of reincarnation, the Christian and Islamic monotheism, because the poets and writers in the silver age seek a new global view of the same world, And through understanding the world religion to create a new human religion. The third chapter, the Oriental theme and image in the AACM literature, is divided into three sections: the theme and image of China and India, the theme and image of Islam, and the theme and image of Africa. In this chapter, the author focuses on the creation of the ancient Moore and the eastern and Eastern images of two. An analysis of acme's literary creation. The poet's Buddhism is the core theory of Buddhism, the theory of the samsara. He interpreted the cycle as a lonely soul, and he lost his original harmony and honesty. His African theme was not only "giraffe >" "Princess Zara >" "Lake Chad", but also the Egyptian theme. The Egyptian theme is not like the symbolism of Egypt, but the most important element of the Russian poem "another Egypt" is the Russian poem "another Egypt". The fourth chapter, the Oriental theme and image in the futuristic literature, is divided into three sections: the theme and image of China and Japan, the theme and image of the India, and the Islamic theme and image. The focus of the study is the east of Khlebnikov. In "the tyrant without T", Iran is a "Paradise Lost" and "paradise on earth" for poets. < the tyrant without T >, on the one hand, is an attempt to create a new art work, on the other hand, the poets are expressing their own ideas of the unification of the world culture and religion. The fifth chapter < the real Lord ' The Oriental theme and image in the literature of righteousness are divided into three sections: the theme and image of Buddhism and Hinduism, the theme and image of Islam, the theme and image of other ancient civilizations. In order to focus on the research, the author chooses Bunin's creation, and if in the chapters mentioned above, the author analyzes the prose and poetry in this chapter. Summarize and summarize the full text, pointing out the shortcomings of the paper and the future research direction.

【学位授予单位】：上海外国语大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：I512.06

【参考文献】