奥兹小说对犹太复国主义神话的解构

发布时间：2018-05-11 04:37

本文选题：阿摩司·奥兹 + 犹太复国主义神话　；参考：《扬州大学》2017年硕士论文

【摘要】：犹太复国主义缔造了现代以色列,为流亡的犹太人建立了栖息的家园,但因其弥赛亚主义的本质,它衍变成一种民族主义的政治狂热,甚至成为一种至高无上的政治神话。阿摩司·奥兹作为阿什肯纳兹犹太人后代,其作品中毫无疑问残留着犹太复国主义思想的余迹,但奥兹了解和体认到犹太复国主义神话的巨大危害,并在其作品中对犹太复国主义神话进行了解构。本文对阿摩司·奥兹多部代表作进行文本细读,探讨奥兹对犹太复国主义神话解构的方法和策略。本文由引言、正文和结语三部分构成。引言部分首先简要介绍了阿摩司·奥兹的生平及其创作情况;其次梳理了国内外研究现状,并说明了本论题的研究价值,从而为正文部分的研究奠定了基础。文章的正文部分由四章构成。第一章首先从历史学及意识形态维度概述了犹太复国主义的演变历史、思想根源及犹太复国主义神话的巨大危害。随后阐述了以犹太复国主义思想为基底,以耶路撒冷、“基布兹”和英雄三大符号为侧面所构筑的犹太复国主义神话“三棱锥”结构,为后文论述奥兹在文学创作中消解三大符号,进而解构整个政治神话奠基。第二章主要以《爱与黑暗的故事》《我的米海尔》等作品为研究文本,主要运用巴迪欧的“阶点”理论论证指涉古代以色列的耶路撒冷与母亲在奥兹俄狄浦斯情结“阶点”处的辩证关系,而极富意义的“母亲之死”昭示着这种关联性的瓦解和耶路撒冷“神圣性”的消逝,从而形成了对犹太复国主义神话的解构之势。第三章主要以《游牧人与蝰蛇》《沙海无澜》及《乡村生活图景》等小说为研究对象,结合基布兹的沿革史及奥兹的人生轨迹,阐述奥兹在其小说中借身体的书写、基布兹成员身份危机的呈现和异托邦的塑造来揭橥基布兹的真实面目,从而对犹太复国主义神话形成挑战。第四章主要以《爱与黑暗的故事》《风之路》《费玛》等作品为研究文本,阐述了奥兹在小说中通过“卡里斯马”英雄的消解、反英雄的描画和“堂吉诃德式”英雄的塑造对英雄这一符号进行颠覆,从而实现对犹太复国主义神话的解构。结语则总结全文,阿摩司·奥兹以创作分别对耶路撒冷、“基布兹”和英雄三个政治符号进行祛魅和消解,从而戳破了犹太复国主义神话“三棱锥”,最终解构了神话,但因其特殊的身份,奥兹在解构神话的同时也保留了犹太复国主义的某些因子。
[Abstract]:Zionism created modern Israel and established a home for exiled Jews, but because of its messianic nature, it evolved into a kind of nationalist political fanaticism and even a supreme political myth. Amos Oz, as a descendant of Ashkenazi Jews, has no doubt retained the remnants of Zionist thought in his works, but Oz understands and realizes the great harm of Zionist mythology. In his works, the Zionist myth is deconstructed. This paper makes a detailed reading of Amos Oz's masterpieces, and probes into his methods and strategies for deconstructing Zionist mythology. This paper consists of three parts: introduction, text and conclusion. The introduction first briefly introduces the life and creation of Amos Oz, and then combs the domestic and foreign research status, and explains the research value of this thesis, thus laying a foundation for the study of the text. The text of the article consists of four chapters. The first chapter summarizes the evolution history of Zionism, ideological roots and the great harm of Zionist myth from the historical and ideological dimensions. Then it expounds the structure of the Zionist myth "three prism", which is constructed on the basis of Zionist thought, with Jerusalem, "Kibbutz" and "hero" as the side. It lays the foundation for the later article to dispel the three symbols in the literary creation, and then to deconstruct the whole political myth. The second chapter mainly takes the works such as "the Story of Love and Darkness" and "my Michail" as the research text. This paper mainly uses Badio's "step" theory to demonstrate the dialectical relationship between Jerusalem involved in ancient Israel and its mother's "step" in the Oz Oedipus complex. The very meaningful death of Mother reveals the disintegration of this connection and the disappearance of Jerusalem's "sanctity", thus forming the tendency of deconstruction of Zionist mythology. The third chapter mainly takes the novels such as "nomadic Man and Viper" and "Shahai Wulan" and "country Life Picture" as the research object, combining with the history of Kibbutz and the life track of Oz, expounds Oz's body writing in his novels. The appearance of Kibbutz membership crisis and the creation of heterotopia reveal the true face of Kibbutz and challenge the Zionist myth. The fourth chapter mainly takes "the Story of Love and Darkness" the Road of the Wind "and" Fermat "as the research text, expounds the elimination of the hero of Oz through" Carrisma "in the novel. The depiction of anti-hero and the portrayal of "Don Quixote" hero subvert the symbol of hero and deconstruct the myth of Zionism. In the conclusion, Amos Oz disenchanted and dispelled the three political symbols of Jerusalem, Kibbutz and Hero by his creation, thus puncturing the Zionist myth "three prism" and finally deconstructing the myth. But because of his special identity, Oz also retained some factors of Zionism while deconstructing mythology.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I382.074

【相似文献】