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中朝日三国明清小说戏曲中的“壬辰倭乱”

发布时间:2018-05-21 07:48

  本文选题:“壬辰倭乱” + 小说戏曲 ; 参考:《文学遗产》2017年02期


【摘要】:"壬辰倭乱"之后,中朝日三国相继出现了大量以之为题材的小说戏曲。由于三国在这场战争中的角色不同及其文化差异,造成这些文学作品对"壬辰倭乱"采取了不同的记忆与重构方式。作为援助国的中国,嘉靖年间发生在东南沿海的倭乱记忆,使这些作品表达出对邻国的深切同情,同时士人借平倭建功以抒发平天下的政治理想;朝鲜作为受害国,相关小说全面、真实反映了倭乱过程,内容丰富,既揭露侵略者的暴行,歌颂忠烈的爱国精神,也弘扬民族意识;日本作为侵略国,相关戏曲小说则极力将侵略行为正当化,美化侵略者,宣扬武士道精神,体现出强烈的对外扩张意识。
[Abstract]:After the chaos, a large number of novels and operas on the subject appeared in China, North Korea and Japan. Due to the different roles and cultural differences of the three Kingdoms in this war, these literary works have adopted different methods of memory and reconstruction. As a donor country, China's memory of Japan's chaos occurred in the southeast coastal areas during the years of Jiajing, which made these works express their deep sympathy for their neighbors, and at the same time, the scholars took advantage of the pacification of Japan to express the political ideal of leveling the world; North Korea, as an injured country, The relevant novels are comprehensive and truly reflect the process of Japanese chaos and are rich in content. They not only expose the atrocities of the aggressors, eulogize the patriotic spirit of the loyal and martyrs, but also carry forward the national consciousness. As an aggressor country, the relevant drama novels do their utmost to legitimize the aggressive acts. Beautifying the invaders, propagating the spirit of Bushido, reflecting a strong sense of external expansion.
【作者单位】: 浙江工业大学人文学院;
【基金】:国家社会科学基金重大项目“东亚汉文小说文献整理与研究”(项目编号13&ZD113)阶段性成果
【分类号】:I106

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1 王亚楠;壬辰倭乱时期俘虏体验文学研究[D];南京师范大学;2014年



本文编号:1918354

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