多和田叶子的后现代主义文学

发布时间：2018-05-30 23:45

本文选题：多和田叶子 + 获奖作品　；参考：《山东大学》2017年硕士论文

【摘要】：多和田叶子(1960-)是日本现代文坛极具代表性的女作家,以其作品独特的视角奠定了其文坛地位。1991年,代表作《失去后脚跟》获得第34届群像新人文学奖。此后,新作不断,广受好评,先后获得了泉镜花文学奖、伊藤整文学奖、谷崎润一郎奖、紫式部文学奖、野间文艺奖等殊荣,在国际上也享有盛誉。多和田叶子大学毕业后常年定居德国,异文化圈的生活体验对其文学创作产生了重要影响。她尤其喜欢阅读以德语写作的卡夫卡的作品,而卡夫卡正是将后现代主义运用到文学中的先驱人物,因此,阅读多和田的作品后,也能够强烈感受到西方盛行的后现代主义文学特色。比如,对传统男性中心主义的反叛精神;对现代文明的批判意识;荒谬的人物形象和不合常理的情节设计;以及打破传统的表达方式等,都是对现代社会中各种所谓的合理性的颠覆。从后现代主义角度解读其作品、无疑是了解作家的思想追求及文学特色的重要一环。从先行研究来看,日本关于多和田文学的研究主要是单一作品论,或是作为越境作家从语言学角度展开的语言和翻译的研究。中国方面对她的研究并不多,从发表的论文来看,多是对其单一作品或是语言学方面的研究。可以说,尚未见从后现代主义角度对多和田文学进行的综合性研究。多和田叶子是用德语和日语进行创作的双语作家,本论文只针对其日语作品进行研究。在参考现有研究的基础上,以多和田叶子的8部获奖作品(《失去后脚跟》(1991)、《入赘的狗女婿》(1993)、《雏菊茶的时候》(2000)、《球形时间》(2002)、《嫌疑犯的夜行列车》(2002)、《尼僧和丘比特的弓》(2010)、《雪的练习生》(2011)、《云里雾里的故事》(2012))为中心,运用后现代主义、后现代女性主义、性差论等理论,分析多和田文学的后现代主义文学特色,以此管窥作家的思想追求,以及后现代主义文学在日本的发展。本论文由"序言"、"正文"、"结论"三部分组成。"序言"部分主要是对作家及其文学的介绍,阐述本论文的研究动机、研究方法和先行研究等。"正文"部分由四章构成。第一章,首先介绍后现代主义及其相关理论,然后考察多和田文学中塑造的新的人物形象,即颠覆性差的人物形象、否定传统婚姻形式的人物形象、打破男女分工的人物形象。第二章,从主题分析的角度分析多和田文学中的后现代主义文学特色。首先说明现代文明发展给人们带来的精神不安,在此基础上,阐述作家对自由和原始欲望的呼唤,以及回归自然的愿望。第三章,从作品独特的构思和情节出发,分析多和田文学的独特之处,即通过塑造荒诞的人物形象、设定不合常理的故事情节,颠覆一直以来文学创作的传统构思,解构现有的婚姻体制,批判当今社会被扭曲的人际关系。第四章,通过表现手法的反传统性,揭示作家的创作意图,即借助后现代主义的寓意、讽刺等表现手法,表现作家丰富的文学内涵,运用独具特色的语言表达和多样化的文体,解构当今社会习以为常的固有形式。结论部分,总结全文,指出多和田文学的鲜明特色是对性差、家庭、社会、语言等多个领域中传统性的批判和所谓合理性的颠覆,是熟练运用后现代主义形成的独特文学。
[Abstract]:1960-, a representative female writer in the modern Japanese literary world, has established his literary status as a literary award for.1991 years with his unique visual angle. He won the thirty-fourth session of the new literary prize for the "Lost Heel". Since then, the new works have been widely praised, and they have won the spring Mirror Flower prize, the Ito literature prize and the Yazaki Junichiro prize. The purple ministry literature award, the prestigious award in the field of literature and art, has also enjoyed a great reputation in the world. The life experience of the different cultural circles has an important influence on his literary creation. She especially likes to read Kafka's writings in German, and Kafka is applying postmodernism to literature. The pioneer figures, therefore, have a strong sense of the postmodernist literary features prevailing in the west, such as the rebellious spirit of the traditional male centralism, the critical consciousness of modern civilization, the absurd figure and unconventional plot design, and the breaking of the traditional way of expression. The subversion of the so-called reasonableness in modern society. The interpretation of his works from the perspective of postmodernism is undoubtedly an important link to the understanding of the writer's ideological pursuit and literary features. From the previous study, the study of Japan's literature on multi Hetian is mainly a single work theory or as a language of transboundary writers from the linguistic perspective. Research on translation and translation. There are few studies on her in China. From the published papers, most of them are a single work or a linguistic study. It can be said that there is no comprehensive study of the multi Hetian literature from the perspective of postmodernism. On the basis of his Japanese works, on the basis of the existing research, 8 award-winning works of the leaves of Hetian ("Lost Heel" (1991), "the son-in-law of the son-in-law (1993)", "Daisy tea" (2000), < globular time > (2002), < the suspect's nocturnal train > (2002), < the nuns and Cupid's bow > (2010), < 2010), < snow trainee > (2011), < cloud. The story of Li fog (2012)) is the center, using postmodernism, postmodern feminism and sex difference theory to analyze the postmodernist literary features of multi Hetian literature, to see the writer's pursuit of thought and the development of postmodernist literature in Japan. This article is composed of three parts, "preface", "text" and "conclusion". "Preface" part It mainly introduces the author and his literature, expounds the motivation of the research, the method of research and the first research. The part of "the text" is made up of four chapters. In Chapter 1, it first introduces postmodernism and its related theories, and then examines the new figure shaped images in multi Hetian literature, that is, the image of subversive and poor characters and the negation of the traditional marriage shape. In the second chapter, the author analyzes the postmodernist literary features of multi Hetian literature from the perspective of theme analysis. First, it illustrates the spiritual unease brought by the development of modern civilization to the people, and on this basis, expounds the writer's call to freedom and original desire, and the desire to return to nature. Third Chapter, starting from the unique conception and plot of the works, analyzes the unique features of multi Hetian literature, that is, by shaping the absurd figure, setting the uncommon story plot, subverting the traditional conception of literary creation, deconstructing the existing marriage system and criticizing the distorted human relations in today's society. The fourth chapter, through the expression technique, The anti tradition reveals the writer's creative intention, that is, by means of the implied meaning and irony of postmodernism, expressing the rich literary connotation of the writer, using the unique language expression and diversified style, deconstructing the inherent form of the modern society. Traditional criticism and so-called rationality subversion in various fields such as sex, family, society, language and so on are the unique literature formed by postmodernism skillfully.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06

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