庞德《第49诗章》背后的“相关文化圈内人”

发布时间：2018-06-04 01:16

  本文选题：庞德 + 《第诗章》　； 参考：《外国文学评论》2017年01期

【摘要】：庞德《第49诗章》源自日本艺术家《潇湘八景》册页的诗、画和湖湘教育家兼诗人曾宝荪的读解。在这部现代主义佳作中,庞德通过文字、图像和文化学之所谓"相关文化圈内人"三种媒介所认知的"潇湘八景"传统,用英文再现"潇湘八景"蕴涵的寂然世界,影射西方政治、经济、文化弊病。上世纪对该诗章的研究偏重于互文性,本世纪初的评论又集中于图像的影响。本文试图从以希利斯·米勒为代表人物的文化学理念切入,把作品置于图、文和"相关文化圈内人"的大氛围内,重新梳理庞德构思此作的过程。
[Abstract]:Pound < forty-ninth poems > poetry from the Japanese artist Xiaoxiang eight scenery page, painting and Huxiang educator and poet Ceng Baosun. In this modernist masterpiece, Pound reproduces the "Xiaoxiang eight sceneries" through the three media, "Xiaoxiang eight scenes", known as the "related cultural circles" in the language, image and culture, and reproduces the "Xiaoxiang eight scenes" in English. The silence of the world, alluding to western political, economic, and cultural maladies. The study of the poem in the last century has been focused on intertextuality, and the comments at the beginning of this century are focused on the influence of images. This article attempts to cut into the cultural philosophy of the representative of Hillis Miller and put the works in the atmosphere of drawings, texts and "related cultural circles". Ripond conceived the process of the work.
【作者单位】： 美国新奥尔良大学;
【分类号】：I712.072
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本文编号：1975153