十七世纪法国职业文人剧作家的诞生

发布时间：2018-06-04 03:54

本文选题：十七世纪 + 亚历山大·阿尔迪　；参考：《外国文学评论》2016年04期

【摘要】：以悲剧和喜剧为主体的古典法国戏剧诞生于十六世纪文艺复兴时期,这一时期的戏剧创作有着纯文学化倾向,淡化情节和人物塑造,重视语言的雕琢和修辞的运用,与面向普通市民阶层的职业演出关系不大。随着戏剧职业化的深入,十七世纪初,与职业剧团有着千丝万缕联系的法国剧作家亚历山大·阿尔迪一方面通过剧作法层面的革新把新生的悲剧和喜剧搬上职业舞台,一方面又努力淡化自身的职业色彩,塑造了传统意义上的文人作家形象,法国的职业文人剧作家时代由此到来。
[Abstract]:The classical French drama with tragedy and comedy as the main body was born in the Renaissance period in the 16th century. The drama creation in this period had the tendency of pure literature, desalinated the plot and character shaping, attached importance to the ornament of language and the use of rhetoric. It has little to do with professional performances for ordinary citizens. With the deepening of the professionalization of drama, at the beginning of the seventeenth century, Alexander Aldi, a French playwright who was inextricably connected with professional theatrical troupes, brought new tragedies and comedies to the professional stage through the innovation of theatrical law. On the one hand, he tried to desalinate his professional color and created the image of the writer in the traditional sense, thus came the era of the professional writer playwright in France.
【作者单位】：复旦大学外文学院;
【基金】：复旦大学青年教师科研启动基金项目“十七世纪法国中央权力与文人阶层关系”(JJH3152201)的阶段性成果
【分类号】：I565.073

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