华语文学对中华性的接受与颉颃——以马华文学为个案

发布时间：2018-06-18 00:28

本文选题：马华文学 + 文学史　；参考：《华文文学》2017年01期

【摘要】：在华语语系文学中,马华文学与中华性(广义的,包括政治、文化、美学、习俗等)的纠葛相信是历史最悠久而又极端的个案。马华文学在不同阶段有不同的中国性经营,大致上可分成政治中华、文化中华与美学中华这三个重要取向,在不同的历史时期有其特殊的形成背景与变化过程。主观与客观因素经常制约着马华族裔的文学书写与文化观念,主观上要建构文学的自主性/独特性,以及客观上又面对来自官方的文化霸权与同质化压抑,使他们对中华文化的的心态与认同总是欲理还乱、若即若离,不时在依附/拥抱与稀释/离弃中摆荡。本文尝试从历史的宏观视角,运用具体的文学文本与论述作为例证,探讨马华族裔在文学的建构上与中华性的微妙互动以及这种互动中所孕育的积极意义。
[Abstract]:In Chinese literature, the entanglement between Ma Hua literature and Chinese character (including politics, culture, aesthetics, custom and so on) is believed to be the oldest and most extreme case. Ma Hua literature has different Chinese management in different stages, which can be divided into three important orientations: political Chinese, cultural Chinese and aesthetic Chinese, and has its special forming background and changing process in different historical periods. Subjective and objective factors often restrict the literary writing and cultural concept of the Mahua ethnic group. Subjectively, it is necessary to construct the autonomy / uniqueness of literature, and objectively to face the cultural hegemony and homogeneity repression from the official. So that their attitude and identity to the Chinese culture are always confused, if away, from time to time in attachment / embrace and dilution / abandonment in the swing. This paper attempts to explore the subtle interaction between the Ma Hua ethnic group and the Chinese character in the construction of literature and the positive significance of this interaction in the light of the historical macroscopic perspective and the concrete literary texts and expositions as examples.
【作者单位】：马来西亚拉曼大学中文系;
【分类号】：I338.06

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