哈葛德《三千年艳尸记》中的非洲风景与帝国意识

发布时间：2018-06-24 06:55

  本文选题：风景 + 哈葛德　； 参考：《外国文学评论》2017年01期

【摘要】：对小说中的风景描写,传统解读聚焦于其审美性,将风景视为展示叙事主体对环境审美感知的一种手段,为烘托叙事情节、人物个性、叙事主题等提供诗意背景。而以话语研究的视角观察风景描写,风景则成为叙事主体思想意识、特定社会语境和历史文化内涵的载体,成为建构小说主题的一种独特话语方式。哈葛德小说《三千年艳尸记》中的非洲风景作为叙事话语的一个重要组成部分,参与了小说主题和深层意义的建构———殖民与被殖民的关系、族群和族性认知以及主体身份认同。白人殖民主义者对非洲风景的凝视,表征了观看主体特有的意识形态,展示出特定历史语境下的权力政治。
[Abstract]:To the landscape description in the novel, the traditional interpretation focuses on its aesthetic nature, regards the scenery as a means to show the narrative subject's aesthetic perception of the environment, and provides the poetic background for setting off the narrative plot, the personality of the characters, the narrative theme, and so on. From the perspective of discourse study, landscape becomes the carrier of narrative subject's ideology, specific social context and historical and cultural connotation, and becomes a unique discourse way to construct novel theme. As an important part of narrative discourse, the African landscape in Haggard's novel "the corpse of three thousand years" takes part in the construction of the theme and the deep meaning of the novel-the relationship between colonization and colonization. Ethnic and ethnic cognition and subject identity. The gaze of the white colonialists on the African landscape represents the unique ideology of the watching subject and shows the power politics in the specific historical context.
【作者单位】： 福州大学外国语学院;
【基金】：国家社科基金项目“哈葛德小说在晚清:话语意义和西方认知”(2013BWW010)的阶段性成果
【分类号】：I561.074
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本文编号：2060484