俄罗斯白银时代文学中的佛教与道教元素

发布时间：2018-07-06 21:12

本文选题：白银时代 + 文学　；参考：《辽宁大学》2017年硕士论文

【摘要】：18世纪末19世纪初,俄国兴起了古印度文学及佛法典籍,白银时代的精英们开始将目光投向神秘的东方。他们将主要精力用于佛教道教的研究,继而创作出无数富有新意的作品。象征派的先驱,诗人巴尔蒙特就写过不少蕴含道教思想的诗歌,如:《烟》《风》《伟大的虚无》。对东方宗教深有研究的布宁也写过不止一篇与佛教有关的作品,如短篇小说《四海之内皆兄弟》《帝都》等。布宁一生都对东方佛教怀有浓厚的兴趣。东方佛教思想及与其相关的宗教、历史、伦理道德和美学观念在布宁的作品中占有极其特殊的地位。勃洛克的象征主义戏剧,如《命运之歌》,也包含丰富的佛教元素。可见,东方宗教在白银时代作家的创作中有着举足轻重的地位。本文的研究对象即为俄罗斯白银时代文学中的佛教和道教元素。论文的题目:《俄罗斯白银时代文学中的佛教和道教元素》。论文结构:由引言、正文、结束语、参考书目和致谢等构成。引言中阐述选题的意义,研究的主要内容与方法,将要达到的研究目的以及本课题研究的理论意义与现实意义。第一章《白银时代的俄罗斯文学》分为三小节:第一小节论述白银时代对俄罗斯文学的意义;第二小节分析白银时代俄罗斯文学的现代主义流派及其特点;第三小节探讨白银时代作家的精神探索。第二章《白银时代俄罗斯文学中的东方形象》分为两小节:第一节论述白银时代俄罗斯文学中的东方主题:第二小节分析白银时代俄罗斯文学中东方的表现形式。第三章《白银时代俄罗斯文学与东方宗教的关系》分为三小节:第一小节阐述佛教和道教的主要思想;第二小节讨论佛教和道教对白银时代俄罗斯文学的影响;第三小节说研究白银时代对东方宗教关注的原因。第四章《白银时代俄罗斯文学作品中的佛教和道教元素》分为四小节:第一小节研究白银时代俄罗斯文学作品中的佛教和道教形象;第二小节以布宁的短篇小说为例,阐述其作品中的佛教世界体系;第三小节以巴尔蒙特的诗歌为例,阐述其诗歌中的道教形象;第四小节以勃洛克的戏剧创作为例,分析其戏剧中的佛教元素、人物形象体系及其思想意义。结束语总结全文内容,得出以下结论:1)文学与宗教之间存在密切的关系。白银时代俄罗斯作家对东方宗教发生了浓厚的兴趣并将其融入到作品中,形成了独特的审美风格;2)这一时期俄罗斯文学中佛教和道教的形象是表现俄罗斯民族精神和社会生活的独特形式,宗教元素为白银时代的俄罗斯文学增添了特殊的色彩;3)东方宗教深入白银时代俄罗斯的文学生活及社会生活,影响了俄罗斯的思想,带来了不一样的世界观、价值观和人生观。
[Abstract]:At the end of the 18th century and the beginning of the 19th century, the ancient Indian literature and the Buddhist classics arose in Russia, and the elites of the Silver Age began to look to the mysterious East. They devoted their energies to the study of Buddhism and Taoism, and created numerous innovative works. The forerunner of symbolism, the poet Barmont, wrote many Taoist poems, such as smoke, Wind, Great nihility. Bunin, who has studied oriental religions, has also written more than one Buddhist work, such as short stories, "all brothers in the world", "the Emperor's Capital", and so on. Bunin had a strong interest in Oriental Buddhism all his life. Oriental Buddhism and its related religious, historical, ethical and aesthetic concepts play a special role in Bunin's works. Bullock's symbolic plays, such as the Song of Destiny, also contain a wealth of Buddhist elements. Thus, Eastern religion plays an important role in the creation of writers in the Silver Age. The object of this paper is the Buddhist and Taoist elements in the literature of the Silver Age of Russia. Title of the thesis: Buddhist and Taoist elements in Russian Silver Age Literature. The structure of the thesis is composed of introduction, text, conclusion, bibliography and thanks. In the introduction, the significance of the topic, the main contents and methods of the research, the purpose to be achieved and the theoretical and practical significance of the research are described. The first chapter "Russian Literature in Silver Age" is divided into three sections: the first section discusses the significance of the Silver Age to Russian literature, the second section analyzes the modernist schools and their characteristics of the Silver Age Russian Literature; The third section explores the spiritual exploration of writers in the Silver Age. The second chapter, the Oriental Image in the Russian Literature of the Silver Age, is divided into two sections: the first section deals with the oriental theme in the Russian Literature of the Silver Age, and the second section analyzes the forms of expression of the Orient in the Russian Literature of the Silver Age. The third chapter, the relationship between Russian Literature and Oriental Religion in the Silver Age, is divided into three sections: the first section expounds the main ideas of Buddhism and Taoism, the second section discusses the influence of Buddhism and Taoism on the Russian literature of the Silver Age. The third section discusses the reasons for the study of Eastern religions in the Silver Age. Chapter four "Buddhist and Taoist elements in the Russian Literature of the Silver Age" is divided into four sections: the first section studies the Buddhist and Taoist images in the Russian literature works of the Silver Age, the second section takes Bunin's short stories as an example. The third section takes Barmont's poems as an example to illustrate the Taoist image in his poems, and the fourth section takes Bullock's dramatic creation as an example to analyze the Buddhist elements in his plays. Character Image system and its ideological significance. Conclusion: 1) there is a close relationship between literature and religion. In the silver era, Russian writers developed a strong interest in eastern religion and incorporated it into their works. The images of Buddhism and Taoism in Russian literature during this period are the unique forms of expressing Russian national spirit and social life. The religious elements added a special color to the Russian literature of the Silver Age. 3) the oriental religion went deep into the literary and social life of Russia in the Silver Age, influenced Russian thought, and brought different world outlook, values and outlook on life.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I512.06

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