他者与大记忆:论庞德人物面具中自我的显现

发布时间：2018-07-07 22:25

本文选题：埃兹拉·庞德 + 人物面具　；参考：《外语研究》2016年06期

【摘要】："人物面具"作为埃兹拉·庞德早期诗歌创作及文学批评的核心概念之一,在庞德探索自我的过程中起到了关键作用。庞德首先将"人物面具"定义为意象,赋予它使诗歌成为"客观事实"和"一种意识"的两种功能;庞德一方面借鉴了布朗宁的"戏剧独白体",用"人物面具"将自我他者化,从而使其以客观事实的方式显现;另一方面受到叶芝"大记忆"概念的影响,用"人物面具"将自我历史化,从而以意识的形式显现。因此,庞德的"人物面具"是诗人自我的显现,是庞德试图平衡内心世界与外部世界的手段,为诗人内心世界的表达提供了可能性。
[Abstract]:As one of the core concepts of Ezra pound's early poetry creation and literary criticism, Mask played a key role in his exploration of himself. Pound first defined "character mask" as an image and endowed it with two functions of making poetry "objective fact" and "one kind of consciousness". On the one hand, pound drew lessons from Browning's "dramatic monologue" and used "character mask" to transform himself into another. On the other hand, under the influence of Yeats's concept of "big memory", the "persona mask" is used to history the self, thus showing itself in the form of consciousness. Therefore, pound's "character mask" is the manifestation of the poet's self and the means by which pound tries to balance the inner world with the external world, which provides the possibility for the expression of the poet's inner world.
【作者单位】：上海外国语大学研究生院;
【分类号】：I712.06

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