北美新移民文学中的“中国书写”
发布时间：2018-07-24 12:23
【摘要】：随着世界经济政治文化的全球化发展,北美新移民文学经过三十余年的沉淀和发展,创作主题逐渐从"异国书写"流转到对中国故事、中国经验的书写,大致可分为"大历史中国书写""民间乡土中国书写"和"当下中国书写"三种类型,呈现出人物命运、历史传承、文化身份认同三位一体的开阔气象。北美新移民作家跨越"自我"和"他者"的文化离散体验对中国故事、中国经验的书写,可以视为一种文化"翻译"。笔者认为:北美新移民作家的"中国书写"是个人自我身份确认的需要,同时也是对西方视角下中国形象的反拨,通过多元文化冲击下展现的中国与世界的对话方式,重构世界版图中的中国图像,具有深远的文学意义。
[Abstract]:With the globalization of the world economy, politics and culture, after more than 30 years of sedimentation and development of the new immigrant literature in North America, the theme of creation has been gradually transferred from "foreign writing" to the writing of Chinese stories and experiences. It can be divided into three types: "Great Historical Chinese Writing" and "Folk Local Chinese Writing" and "present Chinese Writing", which presents the broad atmosphere of the trinity of character fate, historical inheritance and cultural identity. North American new immigrant writers transcend the cultural discrete experience of "self" and "other" on the Chinese story, the writing of the Chinese experience can be regarded as a kind of cultural "translation". The author thinks that the "Chinese writing" of the new immigrant writers of North America is the need of personal self-identity identification, and also the reflection of the image of China in the Western perspective, and the dialogue between China and the world through the impact of multiculturalism. The reconstruction of Chinese images in the world territory is of profound literary significance.
【作者单位】： 中国社科院文学所;
【分类号】：I106
[Abstract]:With the globalization of the world economy, politics and culture, after more than 30 years of sedimentation and development of the new immigrant literature in North America, the theme of creation has been gradually transferred from "foreign writing" to the writing of Chinese stories and experiences. It can be divided into three types: "Great Historical Chinese Writing" and "Folk Local Chinese Writing" and "present Chinese Writing", which presents the broad atmosphere of the trinity of character fate, historical inheritance and cultural identity. North American new immigrant writers transcend the cultural discrete experience of "self" and "other" on the Chinese story, the writing of the Chinese experience can be regarded as a kind of cultural "translation". The author thinks that the "Chinese writing" of the new immigrant writers of North America is the need of personal self-identity identification, and also the reflection of the image of China in the Western perspective, and the dialogue between China and the world through the impact of multiculturalism. The reconstruction of Chinese images in the world territory is of profound literary significance.
【作者单位】： 中国社科院文学所;
【分类号】：I106
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