从创伤理论角度阐析小说《爵士乐》
发布时间：2018-08-27 07:29
【摘要】：黑人女作家托尼·莫里森自20世纪80年代以来创作了一系列小说,包括《宠儿》、《爵士乐》和《乐园》等,把对黑人问题的思考和探讨推向了更高的巅峰。她非常关注黑人的精神世界和身份归属问题,尤其是饱受创伤折磨却没有话语权的小人物。作为莫里森的第六部长篇小说,《爵士乐》遵循了莫里森一贯的创作宗旨,采用简单的故事描摹复杂的人性,通过描写一段三角恋故事,记录了小说人物在黑人重建时期的创伤经历,写出解放后的黑人如何挣脱噩梦般的过去和心灵压抑,在当今艰难困苦的物质和精神生活中重建肉体及精神家园的心理蜕变和新生过程。小说描写了黑人个体和群体的生存状态,旨在通过个体人物来管窥黑人群体所背负的沉重历史创伤,但她所关注的并非是简单再现黑人的苦难史,而是试图为饱受创伤折磨的黑人寻找一条出路。她强调黑人的自我接纳和调适,呼吁黑人直面创伤历史,依靠自我和黑人社区实现自救。《爵士乐》的主人公是美国黑人群体的缩影,他们的个人创伤恰恰代表了20世纪20年代哈勒姆时期美国黑人群体所遭受的集体创伤,主要体现在黑人与白人之间的种族歧视,白人主导的社会环境中黑人传统文化的遗失以及由此产生的双重意识和个人集体身份的迷失。因此,本论文从创伤理论的角度对《爵士乐》中的人物进行分析,探讨其受创的症状、原因以及恢复,然后试图研究作者对受创伤的个体和民族的创伤的态度及看法。本文共有五章组成。第一章简要介绍了莫里森的生平和写作特点,以及《爵士乐》的内容梗概,综述了国内外的研究文献以及本文的基本观点。第二章为理论基础,论述了创伤理论的定义、发展过程及其在文学评论中的应用。第三章以分析《爵士乐》的主要人物维奥莱特、乔和多卡丝的创伤为主线,试图通过人物的创伤表现,找出隐藏在背后的原因。第四章阐述了《爵士乐》中人物创伤的恢复。只有依靠自我的努力和黑人社区的帮助,从而重新建立与他人和世界的联系,直面创伤历史,才能重塑真实的自我,从创伤中恢复。第五章为结论,总结创伤理论在分析小说文本中的应用,丰富了读者解读文学文本的视角。
[Abstract]:Black female writer Tony Morrison has written a series of novels since the 1980s, including beloved, Jazz and Paradise, which has pushed the thinking and discussion of black problems to a higher peak. She is very concerned about the spiritual world and identity of black people, especially the traumatized little people who have no right to speak. As Morrison's sixth novel, Jazz follows Morrison's consistent creative philosophy, using simple stories to describe complex human nature, and by describing a love triangle. Documenting the traumatic experiences of the characters during the reconstruction of the Negro, and writing about how the Negro after liberation broke free from the nightmare of the past and the depression of the mind. The process of psychological transformation and renewal in the reconstruction of physical and spiritual homes in today's difficult material and spiritual life. The novel depicts the living conditions of black individuals and groups, and aims to peep at the heavy historical trauma borne by black groups through individual characters, but her concern is not simply to reproduce the suffering history of blacks. It was trying to find a way out for traumatized blacks. She stressed the self-acceptance and adjustment of black people, called on blacks to face the traumatic history and rely on themselves and the black community to achieve self-salvation. The protagonist of "Jazz" is the epitome of the black American community. Their personal trauma represents the collective trauma suffered by the American black community during the Harlem era in the 1920s, mainly reflected in racial discrimination between blacks and whites. The loss of black traditional culture and the loss of individual collective identity in the white dominated social environment. Therefore, this paper analyzes the characters in Jazz from the perspective of trauma theory, discusses the symptoms, causes and recovery of the trauma, and then attempts to study the author's attitude and views on the trauma of the injured individual and nation. There are five chapters in this paper. The first chapter briefly introduces Morrison's life and writing characteristics, as well as the outline of Jazz, summarizes the domestic and foreign research literature and the basic viewpoints of this paper. The second chapter discusses the definition, development and application of trauma theory in literary criticism. The third chapter analyzes the trauma of Violet Joe and Dorcas in Jazz and tries to find out the hidden reasons through the wound performance of the characters. The fourth chapter expounds the recovery of character trauma in Jazz. Only with the help of the self and the help of the black community can we rebuild our true self and recover from the trauma by re-establishing the connection with others and the world and facing up to the traumatic history. Chapter five summarizes the application of trauma theory in the analysis of novel texts, which enriches the readers' perspective of reading literary texts.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
本文编号：2206552
[Abstract]:Black female writer Tony Morrison has written a series of novels since the 1980s, including beloved, Jazz and Paradise, which has pushed the thinking and discussion of black problems to a higher peak. She is very concerned about the spiritual world and identity of black people, especially the traumatized little people who have no right to speak. As Morrison's sixth novel, Jazz follows Morrison's consistent creative philosophy, using simple stories to describe complex human nature, and by describing a love triangle. Documenting the traumatic experiences of the characters during the reconstruction of the Negro, and writing about how the Negro after liberation broke free from the nightmare of the past and the depression of the mind. The process of psychological transformation and renewal in the reconstruction of physical and spiritual homes in today's difficult material and spiritual life. The novel depicts the living conditions of black individuals and groups, and aims to peep at the heavy historical trauma borne by black groups through individual characters, but her concern is not simply to reproduce the suffering history of blacks. It was trying to find a way out for traumatized blacks. She stressed the self-acceptance and adjustment of black people, called on blacks to face the traumatic history and rely on themselves and the black community to achieve self-salvation. The protagonist of "Jazz" is the epitome of the black American community. Their personal trauma represents the collective trauma suffered by the American black community during the Harlem era in the 1920s, mainly reflected in racial discrimination between blacks and whites. The loss of black traditional culture and the loss of individual collective identity in the white dominated social environment. Therefore, this paper analyzes the characters in Jazz from the perspective of trauma theory, discusses the symptoms, causes and recovery of the trauma, and then attempts to study the author's attitude and views on the trauma of the injured individual and nation. There are five chapters in this paper. The first chapter briefly introduces Morrison's life and writing characteristics, as well as the outline of Jazz, summarizes the domestic and foreign research literature and the basic viewpoints of this paper. The second chapter discusses the definition, development and application of trauma theory in literary criticism. The third chapter analyzes the trauma of Violet Joe and Dorcas in Jazz and tries to find out the hidden reasons through the wound performance of the characters. The fourth chapter expounds the recovery of character trauma in Jazz. Only with the help of the self and the help of the black community can we rebuild our true self and recover from the trauma by re-establishing the connection with others and the world and facing up to the traumatic history. Chapter five summarizes the application of trauma theory in the analysis of novel texts, which enriches the readers' perspective of reading literary texts.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
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