皮兰德娄戏剧中的“镜像迷宫”
发布时间：2018-09-13 08:29
【摘要】：路易吉·皮兰德娄(Luigi Pirandello,1867-1936)是意大利一位非常多产的剧作家、小说家,1934年因其戏剧成就获诺贝尔文学奖。他的戏剧作品通过巧妙的戏剧结构和极强的哲思性,呈现出了一个由自我镜像构成的“镜像迷宫”,从而体现出了皮兰德娄对于自我的关注和思考。本篇论文从皮兰德娄的四部戏剧作品《寻找自我》《六个寻找作者的剧中人》《亨利第四》和《给赤身裸体者穿上衣服》出发,分析这个“镜像迷宫”的形成和特点,并结合拉康的镜像理论,探讨在这样的“镜像迷宫”中人的处境,以及“镜像迷宫”带给读者和观众的思考。为此,本篇论文除引言和结语分为四个部分:第一部分从文学现象入手,主要分析文学史中“镜子”现象的要素和特点,以及皮兰德娄的戏剧作品因其戏剧的独特性而在此基础上形成更为独特的“镜像迷宫”。第二部分主要分析“镜像迷宫”是如何建构起来的。针对皮兰德娄四部戏剧作品,将作品中充当“镜子”的行为分类符号化,定义语言文字行为系镜子a,表演再创作行为系镜子b,两面镜子相对而立由此建构出“镜像迷宫”的框架以具体分析作品中形成的诸多镜像及联系。第三部分主要分析人在“镜像迷宫”中寻找自我的困境。结合拉康的镜像阶段与能指理论,从镜像阶段、言说、扮演行为三个层面讨论主体的迷失,并分析对于主体“寻找即失去”的过程及与主体“相遇即失去”的瞬间。第四部分主要探讨如何消解“镜像迷宫”。通过将“在镜像中寻找自我”的问题回溯到施动者“我”与客体“我”的对立上,以与卡夫卡《城堡》和董启章《安卓珍尼》的比较为观照,分析如何在圆融的状态下,用生命消解这个迷宫。
[Abstract]:Luigi Pirandello,1867-1936, a prolific Italian playwright and novelist, won the Nobel Prize for Literature in 1934 for his dramatic achievements. His dramatic works show a "image maze" composed of self-mirroring through clever dramatic structure and extremely philosophical thinking, thus reflecting Pilandro's concern and thinking about himself. This thesis starts from four dramatic works by Pillandello, "looking for oneself", "six dramas seeking authors," Henry IV "and" dressing naked people ", and analyzes the formation and characteristics of this" image maze ". Combined with Lacan's mirror image theory, this paper discusses the situation of people in this kind of "image maze" and the thinking of "image maze" to readers and audience. Therefore, in addition to the introduction and conclusion, this paper is divided into four parts: the first part, starting with the literary phenomenon, mainly analyzes the elements and characteristics of the "mirror" phenomenon in the history of literature. On the basis of the unique drama works of Pillandello, a more unique "image maze" is formed. The second part mainly analyzes how the image maze is constructed. In view of the four dramatic works of Pilandello, the author classifies and symbolizes the behavior which acts as a "mirror" in his works. The definition of language behavior is a mirror, the performance re-creation behavior is a mirror b, and the two mirrors stand opposite each other. Thus, the frame of "image maze" is constructed to analyze the many images and connections formed in the works. The third part mainly analyzes the dilemma of finding oneself in Mirror Labyrinth. Combined with Lacan's mirror stage and signifier theory, this paper discusses the loss of the subject from three aspects of mirror stage, speech and acting behavior, and analyzes the process of "seeking and losing" for the subject and the moment of "meeting or losing" with the subject. The fourth part mainly discusses how to solve the mirror maze. By looking back at the question of "finding self in the mirror image" to the opposites between the "I" and the "I" of the object, and taking the comparison with Kafka's Castle and Dong Qizhang's "Android Jeanne" as a reflection, this paper analyzes how to be in a harmonious state. Eliminate the labyrinth with life.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I546.06
本文编号：2240609
[Abstract]:Luigi Pirandello,1867-1936, a prolific Italian playwright and novelist, won the Nobel Prize for Literature in 1934 for his dramatic achievements. His dramatic works show a "image maze" composed of self-mirroring through clever dramatic structure and extremely philosophical thinking, thus reflecting Pilandro's concern and thinking about himself. This thesis starts from four dramatic works by Pillandello, "looking for oneself", "six dramas seeking authors," Henry IV "and" dressing naked people ", and analyzes the formation and characteristics of this" image maze ". Combined with Lacan's mirror image theory, this paper discusses the situation of people in this kind of "image maze" and the thinking of "image maze" to readers and audience. Therefore, in addition to the introduction and conclusion, this paper is divided into four parts: the first part, starting with the literary phenomenon, mainly analyzes the elements and characteristics of the "mirror" phenomenon in the history of literature. On the basis of the unique drama works of Pillandello, a more unique "image maze" is formed. The second part mainly analyzes how the image maze is constructed. In view of the four dramatic works of Pilandello, the author classifies and symbolizes the behavior which acts as a "mirror" in his works. The definition of language behavior is a mirror, the performance re-creation behavior is a mirror b, and the two mirrors stand opposite each other. Thus, the frame of "image maze" is constructed to analyze the many images and connections formed in the works. The third part mainly analyzes the dilemma of finding oneself in Mirror Labyrinth. Combined with Lacan's mirror stage and signifier theory, this paper discusses the loss of the subject from three aspects of mirror stage, speech and acting behavior, and analyzes the process of "seeking and losing" for the subject and the moment of "meeting or losing" with the subject. The fourth part mainly discusses how to solve the mirror maze. By looking back at the question of "finding self in the mirror image" to the opposites between the "I" and the "I" of the object, and taking the comparison with Kafka's Castle and Dong Qizhang's "Android Jeanne" as a reflection, this paper analyzes how to be in a harmonious state. Eliminate the labyrinth with life.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I546.06
【参考文献】
相关期刊论文 前1条
1 孙惠柱;现代戏剧的三大体系与面具/脸谱[J];戏剧艺术;2000年04期
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