从东方主义视角解读《惊奇山谷》中的女性形象
发布时间：2018-09-19 10:53
【摘要】：美国著名华裔女作家谭恩美出生并且成长于美国。1989年谭恩美出版了她的第一部小说《喜福会》,小说在美国引起强烈反响,并且高居《纽约时报》的畅销书的排行榜榜首。2013年,谭恩美出版了最新的一部小说《惊奇山谷》,这部小说引起了世界的广泛关注。作为一名华裔女作家,谭恩美的双重身份一直影响着她的写作生涯。她的小说从题材上延续了作者一贯以来的一个家庭几代人的故事格局,关注中美文化的冲突和融合,关注母女关系和身份危机,而叙述的方式则采用女性自我言说的策略。但是《惊奇山谷》并不是对以往作品的重复,而是在原有的主题之下又有新的突破,体现了谭恩美文化认知的新发展。本文共分为五个部分:第一章首先介绍作家谭恩美在西方的独特成长经历和对中国的感触,其次介绍作品《惊奇山谷》的相关背景知识。第二章概述国内外的专家学者从不同理论角度出发对作家谭恩美及其作品所做的研究。第三章阐述本文的理论基础,即东方主义理论的产生与发展过程,并介绍该理论代表人物赛义德所持的主要观点。第四章以东方主义理论为支点,结合文本重点剖析《惊奇山谷》中三代女性形象——华裔女性维奥莱特、美国女性露露及中国传统女性等各自的形象特点,以及作品如何体现了谭恩美在写作方面超越以往创作思路,积极发挥自己的文学创造力。本文指出,这部小说体现了谭恩美对中国及中国传统文化有了新的认识和突破,即实现了文化认知的发展。结论部分简要概括上述论文内容并总结本文的研究成果。鉴于谭恩美生活并成长于西方世界,拥有多元文化背景的特殊性,中美学者从不同视角出发对她本人及其作品进行了多重研究。本文运用东方主义理论分析《惊奇山谷》中谭恩美笔下女性人物的形象,以期能够为国内外专家学者对谭恩美本人及其作品的相关研究略尽绵薄之力。
[Abstract]:Amy Tan, a famous Chinese American woman writer, was born and raised in the United States. In 1989, Amy Tan published her first novel, the Joy Luck Club, which aroused strong reaction in the United States and topped the New York Times best-seller list. Amy Tan published her latest novel, the Valley of Marvel, which attracted worldwide attention. As a Chinese woman writer, Amy Tan's dual identity has always influenced her writing career. Her novels follow the story pattern of several generations of family, pay attention to the conflict and fusion of Chinese and American culture, pay attention to mother-daughter relationship and identity crisis, and adopt the strategy of female self-expression. But the Valley of Marvel is not a repetition of previous works, but a new breakthrough under the original theme, which reflects the new development of Amy Tan's cultural cognition. This paper is divided into five parts: the first chapter introduces the writer Amy Tan's unique experience of growing up in the West and her feelings to China, and then introduces the relevant background knowledge of her work the Valley of Marvel. The second chapter summarizes the domestic and foreign experts and scholars from different theoretical perspectives on the writer Amy Tan and his works. The third chapter describes the theoretical basis of this paper, that is, the oriental theory of the emergence and development process, and introduces the theory on behalf of the main point of view of the figure said. The fourth chapter takes Orientalism theory as the fulcrum, and analyzes the image characteristics of the female images of the three generations in the Valley of Marvel-Violet, American female Lulu and Chinese traditional woman. And how to reflect Tan Enmei in writing beyond the previous creative ideas, actively exerting her own literary creativity. This paper points out that this novel embodies Tan Enmei's new understanding and breakthrough of China and its traditional culture, that is, realizing the development of cultural cognition. The conclusion part briefly summarizes the contents of the above thesis and summarizes the research results of this paper. In view of the particularity of Amy Tan's living and growing up in the western world and her multicultural background, Chinese and American scholars have made many studies on her and her works from different perspectives. This paper applies orientalism theory to analyze the images of the female characters in Amy Tan's works in the Valley of Marvel in order to make a little contribution to the study of Amy Tan and her works by experts and scholars at home and abroad.
【学位授予单位】：天津科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
本文编号：2249923
[Abstract]:Amy Tan, a famous Chinese American woman writer, was born and raised in the United States. In 1989, Amy Tan published her first novel, the Joy Luck Club, which aroused strong reaction in the United States and topped the New York Times best-seller list. Amy Tan published her latest novel, the Valley of Marvel, which attracted worldwide attention. As a Chinese woman writer, Amy Tan's dual identity has always influenced her writing career. Her novels follow the story pattern of several generations of family, pay attention to the conflict and fusion of Chinese and American culture, pay attention to mother-daughter relationship and identity crisis, and adopt the strategy of female self-expression. But the Valley of Marvel is not a repetition of previous works, but a new breakthrough under the original theme, which reflects the new development of Amy Tan's cultural cognition. This paper is divided into five parts: the first chapter introduces the writer Amy Tan's unique experience of growing up in the West and her feelings to China, and then introduces the relevant background knowledge of her work the Valley of Marvel. The second chapter summarizes the domestic and foreign experts and scholars from different theoretical perspectives on the writer Amy Tan and his works. The third chapter describes the theoretical basis of this paper, that is, the oriental theory of the emergence and development process, and introduces the theory on behalf of the main point of view of the figure said. The fourth chapter takes Orientalism theory as the fulcrum, and analyzes the image characteristics of the female images of the three generations in the Valley of Marvel-Violet, American female Lulu and Chinese traditional woman. And how to reflect Tan Enmei in writing beyond the previous creative ideas, actively exerting her own literary creativity. This paper points out that this novel embodies Tan Enmei's new understanding and breakthrough of China and its traditional culture, that is, realizing the development of cultural cognition. The conclusion part briefly summarizes the contents of the above thesis and summarizes the research results of this paper. In view of the particularity of Amy Tan's living and growing up in the western world and her multicultural background, Chinese and American scholars have made many studies on her and her works from different perspectives. This paper applies orientalism theory to analyze the images of the female characters in Amy Tan's works in the Valley of Marvel in order to make a little contribution to the study of Amy Tan and her works by experts and scholars at home and abroad.
【学位授予单位】：天津科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074
【参考文献】
相关期刊论文 前10条
1 康彩萍;;《惊奇山谷》中母亲形象浅析[J];文学教育(下);2015年05期
2 杨苗;;《惊奇山谷》东方主义元素的象征[J];青年作家;2015年04期
3 卢俊;;身份的困惑,情感的纠葛——评谭恩美2013年新作《惊奇山谷》[J];外国文学动态;2014年03期
4 赵文书;;反思华美文学的流散批评[J];外语研究;2012年02期
5 李军花;俞宝红;;质疑、肯定、平衡的轮回与升华——谭恩美身份寻求的轨迹[J];西安外国语大学学报;2011年04期
6 肖腊梅;;是女性主义,不是东方主义——论谭恩美小说中母亲的故事[J];世界华文文学论坛;2011年02期
7 王立礼;;从生态批评的角度重读谭恩美的三部作品[J];外国文学;2010年04期
8 白颖;费小玉;;从沉默到爆发 从压抑到释放——对谭恩美《灶神之妻》的女性主义批评解读[J];理论界;2008年07期
9 佘军;;真实与虚构之间的文学张力——论谭恩美小说中的中国意象书写[J];解放军外国语学院学报;2008年03期
10 邹建军;;谭恩美小说中的神秘东方——以《接骨师之女》为个案[J];外国文学研究;2006年06期
相关博士学位论文 前1条
1 卫景宜;西方语境的中国故事——论美国华裔英语文学的中国文化书写[D];暨南大学;2001年
相关硕士学位论文 前1条
1 何立群;见木还是见林：解读《喜福会》对中国文化的描述[D];暨南大学;2003年
，本文编号：2249923
本文链接：https://www.wllwen.com/xiandaiwenxuelunwen/2249923.html
