文学的“摄影想象”—以法国现当代文学为例
发布时间：2018-10-07 20:15
【摘要】："摄影文学"已成为全球化的文化现象,"现代之象"—摄影在文学场域的介入促使我们以全新的视角重新审视文学、文学性以及文字表达的界限。但国内研究过多关注数字时代下本体的"象",而忽略了以想象或者隐喻形式存在的、仅仅依靠文字媒介建构的"象",忽略了摄影以潜移默化的方式影响文学的历史性过程。诞生于19世纪法国的摄影术不断改变着人们观察、理解世界的方式,主导着视阈的变迁,并在感知、记忆、审美等层面上成为现当代文学文本潜意识的参照。
[Abstract]:"Photographic Literature" has become a cultural phenomenon of globalization. The intervention of "Modern Image" in the field of literature urges us to re-examine the boundaries of literature, literariness and literal expression from a new angle of view. However, domestic research pays too much attention to the "image" of the ontology in the digital age, neglects the "image" which exists in the form of imagination or metaphor, and only relies on the word media to construct it, neglecting the historical process in which photography influences literature in a subtle way. French photography, born in the 19th century, constantly changes the way people observe and understand the world, dominates the change of visual threshold, and becomes the subconscious reference of modern and contemporary literary texts in the aspects of perception, memory, aesthetics and so on.
【作者单位】： 北京大学;巴黎索邦大学;
【分类号】：I565.06
本文编号：2255530
[Abstract]:"Photographic Literature" has become a cultural phenomenon of globalization. The intervention of "Modern Image" in the field of literature urges us to re-examine the boundaries of literature, literariness and literal expression from a new angle of view. However, domestic research pays too much attention to the "image" of the ontology in the digital age, neglects the "image" which exists in the form of imagination or metaphor, and only relies on the word media to construct it, neglecting the historical process in which photography influences literature in a subtle way. French photography, born in the 19th century, constantly changes the way people observe and understand the world, dominates the change of visual threshold, and becomes the subconscious reference of modern and contemporary literary texts in the aspects of perception, memory, aesthetics and so on.
【作者单位】： 北京大学;巴黎索邦大学;
【分类号】：I565.06
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1 缪伸涛;摄影文学文图关系研究[D];南京大学;2014年
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