对立中的共相:英国浪漫主义诗歌中“美的理型”
发布时间：2018-10-08 09:30
【摘要】：文章在艺术创造与实践范式确立的张力中探讨诗歌美学具有的重要意义。浪漫派诗人看似在与自然切近,实则是用审美体验具有的形而上的根基统辖相关甚或对立的关系,即在差异性中找到个别属性存在之共相,赋予美以理性内容。诗人在理性与感性之对立中确立"艺术理型",通过"想象性理性"调和感性与理性的对立,实现对诗性生存的追寻;诗人在有限与无限之对立中建构"信念理型",即诗意的信念,揭示自然之启示,建构个体内在的生命特征和灵魂品性;在自爱与他爱的对立中构筑"善之理型",将善之愉悦作为最高追求,完成从动物性本能到德行的提升,达成生存的和谐之美。最后指出,人是诗歌创作的最终目的。诗人从美的探索观照人的生存模态,完成对人的价值判断与确立,也是对目的论美学的实践性延续。
[Abstract]:This paper discusses the significance of poetic aesthetics in the tension between artistic creation and practical paradigm. Romantic poets seem to be close to nature, but in fact they use the metaphysical basis of aesthetic experience to govern the relationship of correlation or even opposition, that is, to find out the common existence of individual attributes in the difference, and to endow beauty with rational content. The poet establishes "artistic theory" in the opposition between reason and sensibility, and through "imaginative reason" reconciles the opposition between sensibility and reason, realizes the pursuit of poetic existence. The poet constructs the "belief theory", that is, the poetic belief, reveals the revelation of nature, and constructs the individual's inner life characteristic and soul character in the opposition between the finite and infinite. In the opposition of self-love and his love, the author constructs the "good theory", regards the pleasure of the good as the highest pursuit, completes the promotion from animal instinct to virtue, and achieves the harmonious beauty of existence. Finally, it is pointed out that man is the ultimate purpose of poetry creation. It is also a practical continuation of teleological aesthetics for poets to observe the mode of existence of human beings from the perspective of beauty and to judge and establish the value of human beings.
【作者单位】： 南京理工大学外国语学院;上海外国语大学英语学院;大连理工大学外国语学院;
【基金】：辽宁省社会科学规划基金项目:“二十世纪英国女性小说的文学伦理学研究”(L14DWW013)
【分类号】：I561.072
本文编号：2256277
[Abstract]:This paper discusses the significance of poetic aesthetics in the tension between artistic creation and practical paradigm. Romantic poets seem to be close to nature, but in fact they use the metaphysical basis of aesthetic experience to govern the relationship of correlation or even opposition, that is, to find out the common existence of individual attributes in the difference, and to endow beauty with rational content. The poet establishes "artistic theory" in the opposition between reason and sensibility, and through "imaginative reason" reconciles the opposition between sensibility and reason, realizes the pursuit of poetic existence. The poet constructs the "belief theory", that is, the poetic belief, reveals the revelation of nature, and constructs the individual's inner life characteristic and soul character in the opposition between the finite and infinite. In the opposition of self-love and his love, the author constructs the "good theory", regards the pleasure of the good as the highest pursuit, completes the promotion from animal instinct to virtue, and achieves the harmonious beauty of existence. Finally, it is pointed out that man is the ultimate purpose of poetry creation. It is also a practical continuation of teleological aesthetics for poets to observe the mode of existence of human beings from the perspective of beauty and to judge and establish the value of human beings.
【作者单位】： 南京理工大学外国语学院;上海外国语大学英语学院;大连理工大学外国语学院;
【基金】：辽宁省社会科学规划基金项目:“二十世纪英国女性小说的文学伦理学研究”(L14DWW013)
【分类号】：I561.072
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