1921-1933年《申报》中有关德国审美与价值观报道分析
发布时间：2018-10-24 11:19
【摘要】：20世纪二、三十年代的中德关系对于两国关系史的研究具有十分重要的意义。在此阶段内,两国出于各自的利益,诸多领域的交往均呈现出紧密的状态。本文选取1921年两国签订中德条约为研究起点,1933年以希特勒为首的纳粹党在德国掌握政权为结点,以当时在中国具有较大影响力的《申报》中关于德国审美与价值观两方面的报道为研究对象,其原因在于,从此角度出发,报刊中的德国形象能被更为直观地表达。在具体的分析过程中,本文首先根据对当时中国产生较大影响的一系列内政外交事件,对研究时段进行了划分。继而,对每个阶段内关于德国审美与价值观的报道进行了量化与质化两方面的细致分析。在此过程中,本文采用了数量分析法、质量分析法、比较分析法及背景分析法,力求论证的客观性和准确性。在第一阶段内,关于德国相关领域的报道数量较少,且多集中于价值观方面,但在其评论中已可见较强的介绍意愿。第二阶段中,虽报道总数增长仍不明显,但关注的领域已涉及如造型艺术、文学艺术、表演艺术等多方面,且均采取了较为积极的评论。第三阶段内,《申报》中大部分与之相关的报道均集中于德国文学,且总数有了较为明显的上升。在内容方面,德国新兴作家与表现派文学得到了重点关注,在相关评论中可见中国对此了解的进一步加深。第四阶段中大部分的报道涉及德国的造型艺术与表演艺术,在数量与内容两方面均呈现出不稳定的趋势。虽然德国法西斯势力的崛起在此期间已有一定的表现,但报道对于德国相关领域的推崇并未受此影响,而是呈现愈加欣赏的态度。之后,为使上述结论更加完善,本文把研究时段内关于德国审美与价值观的报道与对当时中国亦产生较为重要影响的日本、美国、俄国、英国、法国的相关报道进行了比较与分析,由此,报刊中的德国形象被更恰当地理解。最后,本文把所得的德国形象映射至当时的社会历史大背景中,力图还原出当时中国相关领域的发展情况对报道所产生的、及其报道对于相关领域所产生的双向影响,希望此文的分析论证,能对当下相关领域的学术研究提供有价值的补充。
[Abstract]:The relations between China and Germany in the twenties and thirties of the 20th century are of great significance to the study of the history of relations between the two countries. In this stage, the two countries out of their own interests, many fields of exchanges have shown a close state. This paper chooses the Sino-German Treaty of 1921 as the starting point of the study, and the Nazi Party led by Hitler in 1933 as the node of the German regime. Taking the reports on German aesthetics and values in the "Declaration", which had great influence in China at that time, as the object of study, the reason is that from this point of view, the German image in newspapers and periodicals can be expressed more intuitively. In the process of concrete analysis, this paper first divides the period of study according to a series of domestic and foreign affairs which have a great influence on China at that time. Then, the report on German aesthetics and values in each stage is analyzed in both quantitative and qualitative aspects. In this process, quantitative analysis, quality analysis, comparative analysis and background analysis are used to demonstrate objectivity and accuracy. In the first stage, the number of reports on German related fields is relatively small, and most of them focus on values, but there is a strong willingness to introduce in his comments. In the second stage, although the increase in the total number of reports is still not obvious, the areas of concern have been involved in many aspects, such as plastic arts, literary arts, performing arts and so on, and have taken more positive comments. In the third stage, most of the related reports are concentrated in German literature, and the total number has increased obviously. In terms of content, the new German writers and expressionist literature have been paid more attention to, and in the relevant comments, China's further understanding of this issue can be seen. In the fourth stage, most of the reports related to German plastic arts and performing arts, both in terms of quantity and content showed an unstable trend. Although the rise of fascist forces in Germany has been shown during this period, the report has not been affected by the praise of German related fields, but has shown an increasingly appreciative attitude. After that, in order to make the above conclusion more perfect, this paper reports the German aesthetics and values in the period of study and Japan, the United States, Russia, Britain, which also had a relatively important impact on China at that time. By comparing and analyzing the relevant reports in France, the image of Germany in the press is better understood. Finally, this paper maps the image of Germany to the social and historical background of the time, trying to restore the development of relevant fields in China at that time, and the two-way impact of the report on the related fields. It is hoped that the analysis and argumentation of this paper will provide a valuable supplement to the current academic research in related fields.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I516.06
本文编号：2291243
[Abstract]:The relations between China and Germany in the twenties and thirties of the 20th century are of great significance to the study of the history of relations between the two countries. In this stage, the two countries out of their own interests, many fields of exchanges have shown a close state. This paper chooses the Sino-German Treaty of 1921 as the starting point of the study, and the Nazi Party led by Hitler in 1933 as the node of the German regime. Taking the reports on German aesthetics and values in the "Declaration", which had great influence in China at that time, as the object of study, the reason is that from this point of view, the German image in newspapers and periodicals can be expressed more intuitively. In the process of concrete analysis, this paper first divides the period of study according to a series of domestic and foreign affairs which have a great influence on China at that time. Then, the report on German aesthetics and values in each stage is analyzed in both quantitative and qualitative aspects. In this process, quantitative analysis, quality analysis, comparative analysis and background analysis are used to demonstrate objectivity and accuracy. In the first stage, the number of reports on German related fields is relatively small, and most of them focus on values, but there is a strong willingness to introduce in his comments. In the second stage, although the increase in the total number of reports is still not obvious, the areas of concern have been involved in many aspects, such as plastic arts, literary arts, performing arts and so on, and have taken more positive comments. In the third stage, most of the related reports are concentrated in German literature, and the total number has increased obviously. In terms of content, the new German writers and expressionist literature have been paid more attention to, and in the relevant comments, China's further understanding of this issue can be seen. In the fourth stage, most of the reports related to German plastic arts and performing arts, both in terms of quantity and content showed an unstable trend. Although the rise of fascist forces in Germany has been shown during this period, the report has not been affected by the praise of German related fields, but has shown an increasingly appreciative attitude. After that, in order to make the above conclusion more perfect, this paper reports the German aesthetics and values in the period of study and Japan, the United States, Russia, Britain, which also had a relatively important impact on China at that time. By comparing and analyzing the relevant reports in France, the image of Germany in the press is better understood. Finally, this paper maps the image of Germany to the social and historical background of the time, trying to restore the development of relevant fields in China at that time, and the two-way impact of the report on the related fields. It is hoped that the analysis and argumentation of this paper will provide a valuable supplement to the current academic research in related fields.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I516.06
【参考文献】
相关期刊论文 前1条
1 杜鹃;;中外价值观研究的现状及发展趋势[J];济宁学院学报;2009年06期
，本文编号：2291243
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