凡人的辛酸:西方现代悲剧之审美倾向
发布时间：2018-10-24 13:09
【摘要】：自约瑟夫·伍德·克鲁契上世纪初发表《悲剧性谬误》以来,宣布悲剧已经死亡的评论家不乏其人。本文持相反观点,认为悲剧作为一门舞台艺术在现代社会依然存在,只不过它们在语言风格、情节结构、人物塑造、创作题材、思想主题等具体细节上与古典悲剧有所不同。就作品题材而言,古希腊悲剧侧重展现半神半人的传奇人物命运,文艺复兴悲剧侧重描写宫廷内部的倾轧与争斗,法国古典主义悲剧既讲神话故事,又写帝王历史,现代悲剧则将目光投向中产阶级和小市民的日常生活。现代悲剧与古典悲剧的另一个重要区别在于,现代作家对人性的理解更为宽容。在思想主题方面,现代悲剧还可以进一步划分为"社会悲剧"和"私人悲剧"两大类,它们以不同的形式,继续讲述人类的悲伤故事。
[Abstract]:Since Joseph Wood Kutcher published the tragic fallacy at the beginning of the last century, there has been no shortage of critics declaring the tragedy dead. This paper holds the opposite view that tragedy, as a stage art, still exists in modern society, but it is different from classical tragedy in language style, plot structure, character creation, theme of thought and so on. In terms of the subject matter of the works, the Greek tragedy focuses on the fates of the legendary demigods and half people, the Renaissance tragedy focuses on describing the internal strife and strife within the palace, and the French classical tragedy tells both mythical stories and the history of emperors and emperors. Modern tragedies focus on the daily life of the middle class and the average citizen. Another important difference between modern tragedy and classical tragedy is that modern writers have a more tolerant understanding of human nature. In terms of ideological themes, modern tragedies can be further divided into two categories: "social tragedy" and "private tragedy", which continue to tell human sad stories in different forms.
【作者单位】： 香港岭南大学英文系;
【分类号】：I106
本文编号：2291505
[Abstract]:Since Joseph Wood Kutcher published the tragic fallacy at the beginning of the last century, there has been no shortage of critics declaring the tragedy dead. This paper holds the opposite view that tragedy, as a stage art, still exists in modern society, but it is different from classical tragedy in language style, plot structure, character creation, theme of thought and so on. In terms of the subject matter of the works, the Greek tragedy focuses on the fates of the legendary demigods and half people, the Renaissance tragedy focuses on describing the internal strife and strife within the palace, and the French classical tragedy tells both mythical stories and the history of emperors and emperors. Modern tragedies focus on the daily life of the middle class and the average citizen. Another important difference between modern tragedy and classical tragedy is that modern writers have a more tolerant understanding of human nature. In terms of ideological themes, modern tragedies can be further divided into two categories: "social tragedy" and "private tragedy", which continue to tell human sad stories in different forms.
【作者单位】： 香港岭南大学英文系;
【分类号】：I106
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