纳博科夫作品中的仪式话语初探

发布时间：2018-11-02 07:17

【摘要】：纳博科夫创作成熟期的三部作品《斩首之邀》、《塞巴斯蒂安·奈特的真实生活》和《说吧,记忆》,是作家在虚构与"真实"、过去与现在、历史与文学等两界交融态势下实践其文学相对独立性与自主性主张的力作。在这三部作品以及其他同样重要的作品中,纳博科夫通过重复社会仪式、积极构建作为个体的反仪式行为,力图重现希腊悲剧话语,扭转柏拉图话语,建立历史权威话语,进而实现作家权力,以此唤醒、引导和控制文学文本所要达到的情感力度。他书写仪式/反仪式话语的努力,为其打开了通向自主的、开放的、想象的"俄罗斯"的象征性出口。
[Abstract]:Nabokov's three mature works, the invitation to decapitation, the Real Life of Sebastian Knight, and "speak, memory," are fiction and "reality," past and present. Under the situation of the blending of history and literature, the author practices his works of relative independence and autonomy. In these three works and other equally important works, Nabokov actively constructs anti-ritual behavior as an individual by repeating social rituals, trying to reproduce the Greek tragic discourse, reverse Plato's discourse, and establish historical authority discourse. Then the writer's power can be realized so as to awaken, guide and control the emotional strength of literary texts. His efforts to write ritual / anti-ritual discourse opened the symbolic outlet to the autonomous, open, and imagined "Russia".
【作者单位】：西安外国语大学英文学院;
【基金】：陕西省教育厅哲学社会科学重点研究基地项目“他者话语和西方现代性:纳博科夫作品研究”(15JZ050)的阶段性成果
【分类号】：I712.074

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