从“受苦”出发的主体实践——武田泰淳文学中的中国历史与“吃人”问题以及反思日本现代性的契机

发布时间：2018-11-04 13:03

【摘要】：武田泰淳是日本战后文学的代表性作家,也是以其渊博的中国古典文学造诣及与竹内好一起推动日本早期中国现代文学研究著称的知识分子。他在二战时期所写的成名作《司马迁》中提出重要命题,即《史记》的历史叙事为"无中心"的世界构想,暗示了日本文化世界化构想必将挫败。同时,此种历史意识勾画了负载着耻辱与罪责相交的复杂主体观念,为他战后的文学创作极富反思性的思想深度提供了来源。本文通过诠释武田《司马迁》以及战后的相关作品,分析武田泰淳的历史意识,指出其相关思考正是针对日本战后现代化历程的深刻反思与批评,并认为,武田试图借此对冷战格局下出现的现代性种种困境进行回应。本文将从武田的历史意识推导出来的主体观念称作"受苦的主体性",武田在日本现代性的深刻反思之上,形构此种主体观念,为我们展示不囿于国家而向无数个体生命开放的人文精神纽带,即"文"的共同性之可能性。
[Abstract]:Takeda Taichun is a representative writer of Japanese postwar literature and an intellectual who is famous for his profound Chinese classical literary attainments and for promoting the study of Japanese early modern Chinese literature together with Takeshi. In his famous World War II novel Si Maqian, he put forward an important proposition, that is, the historical narration of the Book of History is the idea of a world without center, implying that the idea of Japanese cultural cosmopolitzation will be defeated. At the same time, this kind of historical consciousness outlines the complex subjective concept of the intersection of shame and guilt, and provides a source for the reflexive depth of his postwar literary creation. This paper analyzes Takeda Taichun's historical consciousness by interpreting Takeda's Si Maqian and his postwar works, points out that his relevant thinking is the profound reflection and criticism of Japan's postwar modernization process, and holds that, Takeda tries to respond to the dilemma of modernity under the Cold War. In this paper, the subjective concept derived from Takeda's historical consciousness is called "suffering subjectivity", and Takeda constructs this kind of subjective concept on the basis of the profound reflection of Japanese modernity. It shows us the possibility of the commonality of "text", which is the humanistic spiritual bond which is open to countless individual lives without being confined to the country.
【作者单位】：东京大学;
【分类号】：I313.06

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