高行健作品中的女性与道
发布时间：2018-12-14 18:27
【摘要】：海外汉学对高行健作品的研究已经发展到一定的规模,最大的争议点是关于他对女性的描写和塑造。本文探讨高行健小说和戏剧中的哲学维度和性别维度,通过研究其作品中的道与女性之间错综复杂的关系,来展示其深刻的关于女性个体命运的禅悟。在禅的场域里,欲望和两性关系是个体通往禅悟的必经之路,而女性的角色不可避免地与个体的自省和自觉紧紧相连。萨特的"他人是地狱"的命题,着重的是人与社会、人与他者的关系;而高行健的"自我是地狱"的命题,则把对自我的认知看成是当代文学的重要主题。无论是男性还是女性都必须面对自我,反观自我,直面现代社会中自我的空虚和妄念,孤独与绝望,躁动与不安,唯有对自我"幽暗意识"的充分认知,才能够最终走出自我的地狱。高行健对女性的描写往往有意识地挑战传统文化对女性的定义,他非常重视女性不同于男性的生理和心理构造和特质,并由此来探寻个体生存的真实困境。
[Abstract]:The study of Gao Xingjian's works in overseas Sinology has developed to a certain scale, and the most controversial point is his portrayal and portrayal of women. This paper probes into the philosophical and gender dimensions in Gao Xingjian's novels and plays, and through the study of the intricate relationship between Tao and women in his works, to show his profound Zen understanding of the fate of women as individuals. In the field of Zen, desire and gender relations are the only way for individuals to achieve Zen enlightenment, while the role of women is inevitably connected with individual introspection and consciousness. Sartre's proposition that "others are hell" focuses on the relationship between man and society and between man and others, while Gao Xingjian's proposition of "self is hell" regards the cognition of self as an important theme of contemporary literature. Both men and women must face themselves, look back at themselves, face the emptiness and delusions of themselves in modern society, loneliness and despair, restlessness and uneasiness, and only fully recognize the "dark consciousness" of themselves. To finally get out of the hell of self. Gao Xingjian's portrayal of women often challenges the definition of women in traditional culture consciously. He attaches great importance to the physiological and psychological structure and characteristics of women, which are different from men, and explores the real dilemma of individual survival.
【作者单位】： 香港科技大学人文学部;
【分类号】：I565.06
本文编号：2379111
[Abstract]:The study of Gao Xingjian's works in overseas Sinology has developed to a certain scale, and the most controversial point is his portrayal and portrayal of women. This paper probes into the philosophical and gender dimensions in Gao Xingjian's novels and plays, and through the study of the intricate relationship between Tao and women in his works, to show his profound Zen understanding of the fate of women as individuals. In the field of Zen, desire and gender relations are the only way for individuals to achieve Zen enlightenment, while the role of women is inevitably connected with individual introspection and consciousness. Sartre's proposition that "others are hell" focuses on the relationship between man and society and between man and others, while Gao Xingjian's proposition of "self is hell" regards the cognition of self as an important theme of contemporary literature. Both men and women must face themselves, look back at themselves, face the emptiness and delusions of themselves in modern society, loneliness and despair, restlessness and uneasiness, and only fully recognize the "dark consciousness" of themselves. To finally get out of the hell of self. Gao Xingjian's portrayal of women often challenges the definition of women in traditional culture consciously. He attaches great importance to the physiological and psychological structure and characteristics of women, which are different from men, and explores the real dilemma of individual survival.
【作者单位】： 香港科技大学人文学部;
【分类号】：I565.06
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