克拉邦德中文诗歌改写研究

发布时间：2018-12-17 08:38

【摘要】：世纪之交,随着科技及机械化等方面的迅猛发展欧洲各国经历着剧烈的社会动荡,人们的思想形态也开始发生着翻天覆地的变化。加之20世纪初第一次世界大战的爆发,及战争所带来的严重后果更是令德国举步维艰,陷入困境。工业化大背景下的人性异化,战争所带来的残酷局面以及伴随而来的文化危机意识令不少德国表现主义时期的学者和文学家将目光投向以古代中国文明为代表的东方文化,以求找到拯救欧洲文化的光明之路。其中,克拉邦德,也就是阿尔弗雷德·亨什克为德国表现主义时期最重要也是最受欢迎的改写诗人之一。尽管克拉邦德本身并不懂中文,但是他却在法语或德语中文诗歌翻译及改写的基础上,将许许多多的中国古代诗歌进行了改写。然而,他的改写决不能算是简单的改写,因为字里行间都有着他自身对中国古代诗歌的独到见解,而他的见解也彰显了中德文化间的诸多差异与不同。虽然,其诗歌改写中不乏对中国古代诗歌内容的误解,但是克拉邦德对中德的文化交流依然做出了杰出贡献,他为德国读者打开了一扇通往东方文明的大门。下文将在前人的研究基础之上,以德国表现主义时期的文化接受为大背景,结合德语诗韵学理论,对克拉邦德诗歌改写的语言风格,其中所折射出的中德文化差异及其天马行空的改写风格进行分析,力求在文末给克拉邦德的诗歌改写一个较为中肯的评价。
[Abstract]:At the turn of the century, with the rapid development of science and technology, mechanization and other aspects, European countries are experiencing violent social turbulence, people's thinking form is also beginning to take place earth-shaking changes. Combined with the outbreak of the first World War in the early 20th century, and the serious consequences of the war, Germany was in trouble. The alienation of human nature under the background of industrialization, the cruel situation brought about by war and the accompanying consciousness of cultural crisis made many scholars and writers in the period of German expressionism turn their eyes to the oriental culture represented by ancient Chinese civilization. In order to find a bright way to save European culture. Among them, ClapBond, Alfred Henshk, was one of the most important and popular rewriting poets in German expressionism. Although he does not understand Chinese itself, he rewrites many ancient Chinese poems on the basis of translation and rewriting of Chinese poetry in French or German. However, his rewriting can not be regarded as a simple rewriting, because he has his own unique views on ancient Chinese poetry between the lines, and his views also highlight the differences and differences between Chinese and German cultures. Although there is no lack of misunderstanding about the content of ancient Chinese poetry in his poetry rewriting, Clabond has made outstanding contributions to the cultural exchange between China and Germany, and he has opened a door to the oriental civilization for German readers. On the basis of previous studies, the following will take the cultural acceptance of German expressionism as the background, combining with the theory of German poetic rhyme, the linguistic style of the rewriting of ClapBond's poems. The cultural differences between China and Germany and their style of rewriting are analyzed in order to give Clapband's poetry a more appropriate evaluation at the end of the essay.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I516.072

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