严歌苓女性写作中的叙述干预研究
[Abstract]:Yan Geling is one of the most representative writers in the overseas female Chinese literary world. As an immigrant writer, Yan Geling's position of female value judgment has always been in the process of regional and cultural rejection and acceptance. The rich life experience and the collision of the eastern and western ideas directly affect the writer's creative thinking. Yan Geling is concerned about women, but she is not confined to the female writing of text narration to resist male power, but to the unique experience and understanding of politics, history and culture. The works are full of exquisite female discourse strategies. Narrative intervention is a common narrative technique in Yan Geling's works. This paper explores the specific significance of narrative intervention to Yan Geling's female writing through the analysis of the way of realizing narrative intervention in Yan Geling's female writing and the analysis of the reasons for its formation. The first chapter defines the term concept of narrative intervention and introduces the gender intervention in female writing. The clear definition of terminology is the starting point and basis of the study of intervention theory. Only when the most basic theoretical definition is clear and perfect, can the intervention in the text be accurately grasped and understood. Narrative intervention in female writing has a clear gender orientation and plays an important role in the construction of female discourse. To study the narrative intervention in Yan Geling's female writing, we should not only pay attention to the relationship between female writing and gender intervention, but also understand the female narrative strategy in narrative intervention. The second chapter explains the realization of narrative intervention in Yan Geling's novels. Taking the different appearance ways of narrative voice in the works as the breakthrough point, it can be divided into three kinds of interventions: the outside narrator intervention, the character cross perspective intervention, and the second person intervention. Yan Geling is good at making use of different forms of narrative sounds to tell stories and intervene in discourse expression. It is precisely because of the diversity of narrative intervention forms that the effect of intervention can be effectively manifested. Thus successfully shape the author's desired narrative effect and reading effect. The third chapter explores the causes of narrative intervention in Yan Geling's novels. The narrative intervention in the text is a kind of intervention of the writer's ideology, so to analyze the forming reason of the narration intervention in Yan Geling's works, we need to discuss the personal factors such as the writer's personal experience, the female narrative concept, the creative consciousness and so on. Based on the author's interview content, this part analyzes the causes of narrative intervention in the works from three aspects: personal experiential creation, female writing narrative view and narrative text. The fourth chapter expounds the significance of narrative intervention in Yan Geling's female writing. Narrative intervention has a potential relationship with other narrative elements in the process of text formation and plays an important role in the formal structure of the work and the interpretation of the text. By grasping the characteristics of Yan Geling's overall creation, this paper analyzes the significance of narrative intervention to Yan Geling's female writing from three aspects: narrative form, narrative ethics and reader's experience. Narrative intervention has a positive influence on Yan Geling's female writing. The analysis of narrative intervention in his works is not only an innovative way to study the author's works, but also to the author and the text. The relationship between readers has a deeper understanding and understanding.
【学位授予单位】:西安外国语大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I712.074
【相似文献】
相关期刊论文 前10条
1 李晓林;严歌苓作品中的悲悯与荒诞[J];小说评论;2003年01期
2 朱青;外内对比的性格结构——严歌苓小说人物造型谈[J];当代文坛;2004年02期
3 朱青;;陌生化的效果——评严歌苓的《爱犬颗勒》[J];名作欣赏;2006年06期
4 郭洪雷;时世平;;别样的“身体修辞”——对严歌苓《金陵十三钗》的修辞解读[J];当代文坛;2007年05期
5 李经纯;;初识严歌苓[J];文学教育(上);2007年12期
6 徐凤娟;;怎一个“情”字了得——论严歌苓新移民小说中的情感书写[J];世界华文文学论坛;2009年01期
7 王文璨;;柔韧的赞歌——浅析严歌苓的《小姨多鹤》中女性形象[J];安徽文学(下半月);2009年09期
8 管方;;严歌苓:逼自己最后一回[J];小康;2010年03期
9 邓玉英;;悲剧与抗争——严歌苓小说中的女性形象[J];青年作家(中外文艺版);2010年02期
10 严歌苓;李宗al;;严歌苓谈人生与写作[J];华文文学;2010年04期
相关会议论文 前2条
1 李槟;;移民的况味——严歌苓小说中的美国抒写[A];这就是我们的文学生活——《当代文坛》三十年评论精选(下)[C];2012年
2 白烨;;难以遮蔽的人性光辉——读严歌苓长篇新作《第九个寡妇》[A];当代文学研究资料与信息(2006.2)[C];2006年
相关重要报纸文章 前10条
1 实习生 孙旭辉;严歌苓:我在美国经历了一次大洗牌[N];文学报;2004年
2 本报记者 杨雅莲;严歌苓:人生比小说更精彩[N];中国新闻出版报;2009年
3 本报记者 杨雅莲;严歌苓:用英文写作发现幽默潜能[N];中国新闻出版报;2009年
4 本报记者 金涛;严歌苓:在历史中追问 在创作中燃烧[N];中国艺术报;2011年
5 本报记者 王京雪;严歌苓:“动人的人都是有缺陷的”[N];新华每日电讯;2011年
6 本报记者 丁杨;严歌苓:以“家族史”写作折射知识分子命运[N];中华读书报;2011年
7 本报记者 韩莉;严歌苓:翻手苍凉覆手繁华[N];河北日报;2012年
8 本报记者 杨雅莲;严歌苓:命中注定要写《陆犯焉识》[N];中国新闻出版报;2012年
9 本报记者 李君娜;严歌苓:我有一个同情的耳朵[N];解放日报;2013年
10 胡皓;看新华先锋如何打造严歌苓[N];中国新闻出版报;2013年
相关博士学位论文 前3条
1 邢楠;严歌苓小说研究[D];东北师范大学;2009年
2 张栋辉;论严歌苓新移民小说的跨域书写[D];山东大学;2011年
3 李燕;跨文化视野下的严歌苓小说研究[D];暨南大学;2008年
相关硕士学位论文 前10条
1 张云丽;严歌苓小说的伦理叙事[D];山西大学;2007年
2 李n,
本文编号:2386763
本文链接:https://www.wllwen.com/xiandaiwenxuelunwen/2386763.html