比较文学形象学视角下高加索形象的变迁
发布时间：2018-12-25 17:58
【摘要】：高加索地区作为俄罗斯重要的政治、军事战略区域,是众多少数民族的聚集地。通过诸多俄罗斯作家对高加索的描述,高加索成为了俄罗斯文学中不可或缺的文学形象,从而形成了内涵丰富的“高加索形象”。高加索形象具体可分为自然形象、战争形象、山民形象和女性形象等。然而,这些形象的内涵和特点在俄罗斯文学作品中并不是固定不变的。从俄罗斯传统文学到当代文学,高加索形象经历了长期和复杂的变迁过程。本研究即是在比较文学形象学的理论基础上,分析从传统到当代俄罗斯文学中高加索形象的变化内容和变迁原因。绪论部分主要介绍了本研究的研究背景和研究意义,着重分析了目前关于高加索形象国内外的研究现状,对本研究的研究内容和研究方法进行了相应说明,并总结了本研究的创新点和不足。正文第一章为本研究的理论基础,对比较文学形象学的定义、发展历程和相关理论等进行了概述。比较文学形象学主要包括社会集体想象物、自我与他者、套话、注视者与被注视者等重要理论,该部分重点对这些理论的概念、特点以及在本研究中的作用等做了具体梳理。第二章分析了传统俄罗斯文学作品中的高加索形象。以普希金、莱蒙托夫、托尔斯泰等俄罗斯作家的作品为例,总结出传统俄罗斯文学作品中的高加索形象有:壮丽、自由的自然形象、战火纷扰的战争形象、野蛮与勇敢的山民形象、代表“美能拯救世界”的女性形象等。第三章阐述了当代俄罗斯文学作品中高加索形象的变迁。在马卡宁、爱丽丝·加尼耶娃、普罗哈诺夫等俄罗斯当代作家笔下,当代俄罗斯文学作品中的高加索形象相比传统文学发生了一定的变化:自然形象的平凡化、战争形象的荒谬化、山民形象的物化和女性形象的异化等。第四章论证了高加索形象变迁的原因。本部分在比较文学形象学理论的具体指导下,结合俄罗斯与高加索相关的政治、历史、文化、宗教、民族等情况,对高加索形象发生变迁的原因进行了深入地探究:社会集体想象物的两极变化,自我与他者的重新定位,套话的演化,以及注视者对被注视者的转变。结语部分对本研究的主要内容和研究结论进行了进一步地总结归纳,并对高加索形象未来的研究方向进行了展望。
[Abstract]:As an important political and military strategic region of Russia, the Caucasus region is the gathering place of many ethnic minorities. Through the description of the Caucasus by many Russian writers, the Caucasus has become an indispensable literary image in Russian literature, thus forming a rich connotation of the "Caucasus image". The image of Caucasus can be divided into natural image, war image, mountain people image and female image. However, the connotation and characteristics of these images are not fixed in Russian literature. From Russian traditional literature to contemporary literature, the image of the Caucasus has undergone a long and complex process of change. On the basis of the theory of comparative literature image, this study analyzes the changing content and reasons of Caucasus image from tradition to contemporary Russian literature. The introduction part mainly introduces the research background and research significance of this study, focusing on the analysis of the current situation of research on the image of the Caucasus at home and abroad, and explains the research content and research methods. And summarized this research innovation point and the insufficiency. The first chapter is the theoretical basis of this study, the definition of comparative literature image, the development of the history and related theories are summarized. Comparative literature imageology mainly includes social collective imagination, self and other, clich 茅, gazing and so on. This part focuses on the concept, characteristics and function of these theories in this study. The second chapter analyzes the Caucasus image in the traditional Russian literature. Taking the works of Russian writers such as Pushkin, Lemontov and Tolstoy as examples, the author sums up the Caucasus images in the traditional Russian literature works as follows: magnificent, free natural images, war images, etc. Barbaric and brave image of mountain people, representing the "beauty can save the world" female image. The third chapter expounds the change of Caucasian image in contemporary Russian literature. In the works of Makanin, Alice Ganieva, Prokhanov and other contemporary Russian writers, the Caucasian images in contemporary Russian literature have undergone certain changes compared with traditional literature: the commonplace of natural images. The absurdity of war image, the materialization of Shanmin image and the alienation of female image, etc. Chapter four demonstrates the reasons for the change of Caucasus image. Under the guidance of the theory of comparative literature image, this part combines Russia's political, historical, cultural, religious and ethnic situations related to the Caucasus. This paper probes into the causes of the changes in the image of the Caucasus: the bipolar changes of the social collective imagination, the reorientation of self and others, the evolution of stereotype, and the transformation of the gaze to the gazed. The conclusion part summarizes the main contents and conclusions of this study, and looks forward to the future research direction of Caucasus image.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I512.06
本文编号：2391455
[Abstract]:As an important political and military strategic region of Russia, the Caucasus region is the gathering place of many ethnic minorities. Through the description of the Caucasus by many Russian writers, the Caucasus has become an indispensable literary image in Russian literature, thus forming a rich connotation of the "Caucasus image". The image of Caucasus can be divided into natural image, war image, mountain people image and female image. However, the connotation and characteristics of these images are not fixed in Russian literature. From Russian traditional literature to contemporary literature, the image of the Caucasus has undergone a long and complex process of change. On the basis of the theory of comparative literature image, this study analyzes the changing content and reasons of Caucasus image from tradition to contemporary Russian literature. The introduction part mainly introduces the research background and research significance of this study, focusing on the analysis of the current situation of research on the image of the Caucasus at home and abroad, and explains the research content and research methods. And summarized this research innovation point and the insufficiency. The first chapter is the theoretical basis of this study, the definition of comparative literature image, the development of the history and related theories are summarized. Comparative literature imageology mainly includes social collective imagination, self and other, clich 茅, gazing and so on. This part focuses on the concept, characteristics and function of these theories in this study. The second chapter analyzes the Caucasus image in the traditional Russian literature. Taking the works of Russian writers such as Pushkin, Lemontov and Tolstoy as examples, the author sums up the Caucasus images in the traditional Russian literature works as follows: magnificent, free natural images, war images, etc. Barbaric and brave image of mountain people, representing the "beauty can save the world" female image. The third chapter expounds the change of Caucasian image in contemporary Russian literature. In the works of Makanin, Alice Ganieva, Prokhanov and other contemporary Russian writers, the Caucasian images in contemporary Russian literature have undergone certain changes compared with traditional literature: the commonplace of natural images. The absurdity of war image, the materialization of Shanmin image and the alienation of female image, etc. Chapter four demonstrates the reasons for the change of Caucasus image. Under the guidance of the theory of comparative literature image, this part combines Russia's political, historical, cultural, religious and ethnic situations related to the Caucasus. This paper probes into the causes of the changes in the image of the Caucasus: the bipolar changes of the social collective imagination, the reorientation of self and others, the evolution of stereotype, and the transformation of the gaze to the gazed. The conclusion part summarizes the main contents and conclusions of this study, and looks forward to the future research direction of Caucasus image.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I512.06
【参考文献】
相关期刊论文 前10条
1 宋虎堂;;论比较文学形象学中的“变异”[J];社会科学论坛;2016年11期
2 田洪敏;;从弗·马卡宁的创作看当代俄罗斯文学中的东方意象[J];中国比较文学;2016年01期
3 姜磊;;俄罗斯文学中民族思想表象下的“帝国意识”研究[J];中南大学学报(社会科学版);2015年03期
4 张小芬;;19世纪高加索战争与文学的关系——以普希金《高加索的俘虏》为例[J];天水师范学院学报;2015年01期
5 刘宏;;洛特曼文化符号学视域下的语言意识研究[J];俄罗斯文艺;2015年01期
6 姜磊;;高加索的俘虏[J];俄罗斯文艺;2014年04期
7 冯小庆;;高加索:托尔斯泰作品中的民族和宗教问题探究[J];俄罗斯文艺;2014年04期
8 郑永旺;;文明的对撞:俄罗斯文学中的高加索主题[J];俄罗斯文艺;2014年04期
9 刘志华;;俄罗斯文学中“高加索形象”之内涵的演变[J];俄语学习;2012年06期
10 刘亚丁;;19世纪高加索战争的文学再现——以莱蒙托夫和列·托尔斯泰的行旅和创作为例[J];俄罗斯研究;2011年02期
相关硕士学位论文 前4条
1 王文娟;在意识形态与乌托邦的两极之间[D];复旦大学;2013年
2 查娟;高加索与俄罗斯文学[D];曲阜师范大学;2013年
3 石黎华;传播视野下的比较文学形象学研究问题初探[D];南昌大学;2010年
4 井陈玺;马卡宁的小说《高加索俘虏》的题旨及俘虏形象[D];哈尔滨工业大学;2010年
，本文编号：2391455
本文链接：https://www.wllwen.com/xiandaiwenxuelunwen/2391455.html
