创伤记忆中的历史书写——《爵士乐》中的新奴隶叙述研究
发布时间：2018-12-27 16:36
【摘要】：新奴隶叙述以在文本中指涉奴隶制时代以及后奴隶制时代的创伤记忆,重新诠释非裔自身历史,对抗白人历史观、官方话语以及知识权力网络,从而实现族裔身份认同和社群建构。新奴隶叙述文本《爵士乐》将多卡丝构成小说主要人物的"记忆现场"(site of memory),以非裔遭受压制、被遗忘以及边缘化的创伤记忆重建自身历史,形成一股对抗白人官方历史的颠覆性力量,最终将集体的历史与文化记忆凝聚为族裔认同,实现美国非裔主体建构。
[Abstract]:The New Slave narration refers to the traumatic memories of the slavery era and the post-slavery era in the text, reinterprets African-American history, confronts the white historical view, the official discourse and the intellectual power network. In order to achieve ethnic identity and community construction. The New Slave narrative, Jazz, rebuilds the history of the "memory scene" (site of memory), which makes up the main characters of the novel, with African-American oppressed, forgotten, and marginalized traumatic memories. It forms a subversive force against the white official history and finally condenses collective historical and cultural memory into ethnic identity and realizes the construction of African-American subject.
【作者单位】： 福建师范大学外国语学院;集美大学外国语学院;
【基金】：国家社科基金项目“当代非裔美国涉奴题材小说研究”(编号:13BWW063) 福建省社科青年项目“空间视阈下的美国少数族裔城市文学研究”(编号:FJ2015C181)
【分类号】：I712.074
本文编号：2393321
[Abstract]:The New Slave narration refers to the traumatic memories of the slavery era and the post-slavery era in the text, reinterprets African-American history, confronts the white historical view, the official discourse and the intellectual power network. In order to achieve ethnic identity and community construction. The New Slave narrative, Jazz, rebuilds the history of the "memory scene" (site of memory), which makes up the main characters of the novel, with African-American oppressed, forgotten, and marginalized traumatic memories. It forms a subversive force against the white official history and finally condenses collective historical and cultural memory into ethnic identity and realizes the construction of African-American subject.
【作者单位】： 福建师范大学外国语学院;集美大学外国语学院;
【基金】：国家社科基金项目“当代非裔美国涉奴题材小说研究”(编号:13BWW063) 福建省社科青年项目“空间视阈下的美国少数族裔城市文学研究”(编号:FJ2015C181)
【分类号】：I712.074
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1 吴胜利;;影子、语言、井和剃刀——《爵士乐》叙述者的四重影像[J];重庆科技学院学报(社会科学版);2010年24期
，本文编号：2393321
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