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西方文论关键词:情感文学

发布时间:2019-03-21 09:35
【摘要】:情感文学作品刻意突出描写主要人物的情感起伏、悲伤离合,引发读者的情感宣泄,达到作者所期望的同情或同感叙事效果。这一文学现象集中出现在17、18世纪的欧洲文坛,特别是小说和戏剧领域,并由此派生出情感主义。情感文学乃至情感主义的出现有其深层的哲学和社会基础,由此开展研究可使我们更深刻地理解其特定的文学表现形式和发展路径,更全面地了解其由兴至衰的历史沿革。情感文学及情感主义在18世纪英国文坛、特别是小说领域的思想基础及文学表现与欧洲文坛的发展息息相关。结合欧洲的历史文化背景,解读它们在英国文学史的出现和发展,可以为读者了解英国18世纪的文学与文化提供有益的帮助。
[Abstract]:The emotional literature works deliberately to describe the emotional ups and downs of the main characters, the grief and the clutch, and the emotion release of the reader, so as to achieve the sympathetic or shared narrative effect expected by the author. This phenomenon focuses on the European literary circles in the 17th and 18th centuries, especially in the fields of novels and plays, and thus to the generation of the emotion. The emergence of the emotional literature and even the emotionalism has its deep philosophical and social foundation, and the research can make us better understand the specific literary forms and the development path, and more comprehensively understand the historical evolution of the emotional literature and the decline. It is closely related to the development of the European literary circles in the 18th century, especially in the field of the novels. Combined with the historical and cultural background of Europe, it can be helpful for readers to understand the literature and culture of the 18th century in the UK by reading their appearance and development in the English literature history.
【作者单位】: 北京外国语大学英语学院;
【分类号】:I561.06

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1 侯杰;;话语评价理论的情感主义哲学渊源探析[J];淮北师范大学学报(哲学社会科学版);2014年02期



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