关于《平家物语》中氏神的研究
发布时间：2019-04-27 09:53
【摘要】：《平家物语》是日本有名的古典文学作品,被称为日本中世军记物语的集大成之作。它以平家一门的盛衰为主要线索讲述日本平安末期至中世初期真实的源平之争,最初是琵琶法师的唱本,以“平曲”的形式广泛传播,最终成立于镰仓时期的民间。讲唱者在物语中穿插了许多与神明相关的话语或故事,其中以天皇和皇族的氏神天照大神、藤原氏的氏神春日大明神、平家氏神严岛大明神和源氏氏神八幡大菩萨出现的最频繁,作为自古以来就位于权力争夺中心的四个大氏族的氏神,笔者认为他们在物语中的出现并非偶然,具有重要的研究价值。本论文在先行研究的基础上,立足于觉一本《平家物语》原文,参考史料,围绕着氏神在物语中的出现,结合物语的文学性对物语中的氏神描写进行分析,考察氏神出现的文学作用、创作者穿插氏神的意图以及氏神应验描写暗含的意思。经笔者研究发现,平家物语中的氏神经常出现在物语主人公的梦中、凡人的祈祷中、讲唱者的旁白、感慨中;氏神的出现有时对阶级势力和时代状况进行比喻、有时为情节发展埋下伏笔、有时表达讲唱者或物语中主人公的心情;其次,物语对于这四位氏神的描写与日本历史上的相关记载有所区别;最后,氏神在物语中有很多应验的描写,有时显灵有时又不显灵。因此,笔者首先对物语中氏神的出现场合进行总结,然后从物语中讲唱者运用的代表性文学修辞手法、作者的创作意图、物语中氏神的显灵与否三个方面分别对物语中的氏神描写进行探讨。这部作品创作于民间,民间文化渗透入它的创作之中,本论文抓住物语的这一特征,从物语文学性、作者的创作角度和氏神应验描写的内容上对物语中的氏神进行研究,这个研究对于理解《平家物语》的内容和作者的真实意图以及了解日本民间文化都有帮助,因此本论文具有重大的研究意义。
[Abstract]:Pingjia object language is a famous Japanese classical literary work, which is known as the collection of Japanese Zhongshi Army object language. It takes the rise and fall of the Pingjia family as the main clue to tell about the real source-ping dispute from the end of Ping an to the early Middle Age in Japan. It was originally the album of the pipa mage, widely spread in the form of "Ping qu", and finally founded in the Folk of the Kamakura period. The singer interspersed with many words or stories related to the gods, among them the emperor and the royal god, the great god, the Fujihara god, the god of spring and the great god of the sun, and the god of Fujihara, the god of the spring sun and the great god of the Fujihara family, The most frequent appearance of the Grand Bodhisattva of the Great Ming God and the Grand Bodhisattva of the Source's God is the four great clan gods, which have been at the center of the power struggle since ancient times, and the author does not believe that their appearance in the material language is accidental, the author thinks that their appearance in the material language is not accidental. It has important research value. On the basis of the previous research, this thesis, based on the original text of Pingjia language of things, makes reference to historical data and analyzes the description of the Shi-Shen in the matter-language in the light of the literariness of the matter-language, focusing on the appearance of the Shi-Shen in the matter-language, and combining with the literariness of the matter-language, This paper examines the literary role of the Gods, the intention of the creators to insert them, and the implicative meaning of the fulfillment description of the Gods. Through the author's research, it is found that the Gods often appear in the dreams of the protagonists, in the prayers of mortals, in the narrators' narratives and in the feelings of the singers. The appearance of the Gods sometimes compares class forces and times, sometimes ambushes the plot development, and sometimes expresses the mood of the protagonist in the vocalist or material language; Secondly, the description of the four Gods is different from the related records in Japanese history. Finally, there are many practical descriptions of the Gods in the material language, sometimes showing the spirit and sometimes not showing the spirit. Therefore, the author first summarizes the appearance of the god in the material language, and then analyzes the representative literary rhetoric devices used by the vocalists in the material language and the author's intention to create it. The description of the Gods in the material language is discussed in three aspects: the manifestation or not of the Gods in the material language. This work is created in the folk, folk culture permeates in its creation, this thesis grasps the material language this characteristic, from the object language literary nature, the author's creation angle and the Shi Shen realizes the description content to carry on the research to the Shi Shen in the object language, This study is of great significance in understanding the contents and the author's true intentions and understanding the Japanese folk culture.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06
本文编号：2466881
[Abstract]:Pingjia object language is a famous Japanese classical literary work, which is known as the collection of Japanese Zhongshi Army object language. It takes the rise and fall of the Pingjia family as the main clue to tell about the real source-ping dispute from the end of Ping an to the early Middle Age in Japan. It was originally the album of the pipa mage, widely spread in the form of "Ping qu", and finally founded in the Folk of the Kamakura period. The singer interspersed with many words or stories related to the gods, among them the emperor and the royal god, the great god, the Fujihara god, the god of spring and the great god of the sun, and the god of Fujihara, the god of the spring sun and the great god of the Fujihara family, The most frequent appearance of the Grand Bodhisattva of the Great Ming God and the Grand Bodhisattva of the Source's God is the four great clan gods, which have been at the center of the power struggle since ancient times, and the author does not believe that their appearance in the material language is accidental, the author thinks that their appearance in the material language is not accidental. It has important research value. On the basis of the previous research, this thesis, based on the original text of Pingjia language of things, makes reference to historical data and analyzes the description of the Shi-Shen in the matter-language in the light of the literariness of the matter-language, focusing on the appearance of the Shi-Shen in the matter-language, and combining with the literariness of the matter-language, This paper examines the literary role of the Gods, the intention of the creators to insert them, and the implicative meaning of the fulfillment description of the Gods. Through the author's research, it is found that the Gods often appear in the dreams of the protagonists, in the prayers of mortals, in the narrators' narratives and in the feelings of the singers. The appearance of the Gods sometimes compares class forces and times, sometimes ambushes the plot development, and sometimes expresses the mood of the protagonist in the vocalist or material language; Secondly, the description of the four Gods is different from the related records in Japanese history. Finally, there are many practical descriptions of the Gods in the material language, sometimes showing the spirit and sometimes not showing the spirit. Therefore, the author first summarizes the appearance of the god in the material language, and then analyzes the representative literary rhetoric devices used by the vocalists in the material language and the author's intention to create it. The description of the Gods in the material language is discussed in three aspects: the manifestation or not of the Gods in the material language. This work is created in the folk, folk culture permeates in its creation, this thesis grasps the material language this characteristic, from the object language literary nature, the author's creation angle and the Shi Shen realizes the description content to carry on the research to the Shi Shen in the object language, This study is of great significance in understanding the contents and the author's true intentions and understanding the Japanese folk culture.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06
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