解析《加算器》中的表现主义手法
发布时间：2021-11-23 23:34
埃尔默·赖斯（1892-1967）是二十世纪最多产、最具社会责任感的犹太裔美国剧作家之一,也是一位普利策奖获得者。他的五十多部戏剧以多种表现形式,揭露了各种社会问题和人文精神。其中,《加算器》（1922年）被普遍认为是他的杰作,同时也是美国表现主义风格的典型代表剧作。通过《加算器》这部剧作,埃尔默·赖斯揭露了主人公零先生被加算器取代后的异化处境,并对机械化社会中技术的非人性化影响提出了更深刻的批评。表现主义运动繁荣于20世纪20年代,但其对现代主义艺术和文学创作产生了深远的影响。表现主义拒绝对客观现实的逼真再现,推崇使用主观性、抽象性、扭曲性和变形性,以传达普遍的主题:反物质主义、反战、异化和死亡。受表现主义思潮的启发,埃尔默·赖斯运用多种表现主义手法赋予其剧作创新性的审美内涵和艺术表现力。他的《加算器》是一部戏剧技法与思想内容完美融合的作品,无疑可以被赞誉为表现主义戏剧的最佳范例之一。本论文以表现主义为视角,细致地研究探讨《加算器》这部剧作在人物形象、语言风格、情节结构、舞美设计所表现出的鲜明的表现主义手法。本论文主要从以下四个方面进行分析:象征性的人物形象以及漫画式的人物形象;语无...
【文章来源】：内蒙古大学内蒙古自治区 211工程院校
【文章页数】：73 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter One INTRODUCTION
1.1 An Introduction to Elmer Rice
1.2 An Introduction to The Adding Machine
1.3 The Significance and Structure of the Thesis
Chapter Two LITERATURE REVIEW
2.1 Research on The Adding Machine at Home and Abroad
2.2 Theoretical Foundation
2.2.1 The origin and development of Expressionism
2.2.2 The primary features of Expressionist drama
Chapter Three EXPRESSIONIST TECHNIQUES IN PORTRAYAL OFCHARACTERS
3.1 Characters with Symbolic Implications
3.1.1 Mr.Zero－a miserable anti-hero
3.1.2 Daisy－a sexually-repressed woman
3.1.3 Shrdlu－a self-condemned man
3.2 Characters with Caricatured Traits
3.2.1 Mr.and Mrs.One through Six－characters without identified traits
3.2.2 Boss,Policeman and Fixer－characters with social functions
3.2.3 Head－the personification of decapitation phobia
Chapter Four EXPRESSIONIST TECHNIQUES IN MANAGEMENT OFLANGUAGE
4.1 Incoherent and Prolonged Monologue
4.1.1 Repetition of numbers in monologue
4.1.2 Recurring topics in monologue
4.2 Staccato and Inane Dialogue
4.2.1 Staccato dialogue with rapidly shifting topics
4.2.2 Inane dialogue with identical sentence patterns
Chapter Five EXPRESSIONIST TECHNIQUES IN ARRANGEMENT OFPLOT
5.1 Episodic Plot
5.1.1 Episodic nature embodied in overall sequence of scene
5.1.2 Episodic nature reflected on fragmented narration of sexualrepression
5.2 Cyclical Plot
5.2.1 Cyclical presentation of Mr.Zero’s life pattern
5.2.2 Cyclical manifestation of Mr.Zero’s mental state
Chapter Six EXPRESSIONIST TECHNIQUES IN DESIGN FOR STAGESPECTACLE
6.1 Eccentric Stage Settings
6.1.1 Confined locales in the real world
6.1.2 Depressing locales in the afterlife
6.2 Exaggerated Stage Props
6.2.1 The large cage in the courtroom
6.2.2 The gigantic adding machine
6.3 Horrible Background Sounds
6.3.1 The discordant noises
6.3.2 The sharp clicking of an adding machine
Chapter Seven CONCLUSION
WORKS CITED
【参考文献】：
期刊论文
[1]《加算器》中机器文明与人性的对立[J]. 马礼霞. 芒种. 2014(02)
[2]《加算器》的表现主义特征[J]. 陈红,杨洋. 安徽文学(下半月). 2012(01)
[3]解读存在主义悲剧《加算器》[J]. 郝燕. 北京第二外国语学院学报. 2007(10)
本文编号：3514838
【文章来源】：内蒙古大学内蒙古自治区 211工程院校
【文章页数】：73 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter One INTRODUCTION
1.1 An Introduction to Elmer Rice
1.2 An Introduction to The Adding Machine
1.3 The Significance and Structure of the Thesis
Chapter Two LITERATURE REVIEW
2.1 Research on The Adding Machine at Home and Abroad
2.2 Theoretical Foundation
2.2.1 The origin and development of Expressionism
2.2.2 The primary features of Expressionist drama
Chapter Three EXPRESSIONIST TECHNIQUES IN PORTRAYAL OFCHARACTERS
3.1 Characters with Symbolic Implications
3.1.1 Mr.Zero－a miserable anti-hero
3.1.2 Daisy－a sexually-repressed woman
3.1.3 Shrdlu－a self-condemned man
3.2 Characters with Caricatured Traits
3.2.1 Mr.and Mrs.One through Six－characters without identified traits
3.2.2 Boss,Policeman and Fixer－characters with social functions
3.2.3 Head－the personification of decapitation phobia
Chapter Four EXPRESSIONIST TECHNIQUES IN MANAGEMENT OFLANGUAGE
4.1 Incoherent and Prolonged Monologue
4.1.1 Repetition of numbers in monologue
4.1.2 Recurring topics in monologue
4.2 Staccato and Inane Dialogue
4.2.1 Staccato dialogue with rapidly shifting topics
4.2.2 Inane dialogue with identical sentence patterns
Chapter Five EXPRESSIONIST TECHNIQUES IN ARRANGEMENT OFPLOT
5.1 Episodic Plot
5.1.1 Episodic nature embodied in overall sequence of scene
5.1.2 Episodic nature reflected on fragmented narration of sexualrepression
5.2 Cyclical Plot
5.2.1 Cyclical presentation of Mr.Zero’s life pattern
5.2.2 Cyclical manifestation of Mr.Zero’s mental state
Chapter Six EXPRESSIONIST TECHNIQUES IN DESIGN FOR STAGESPECTACLE
6.1 Eccentric Stage Settings
6.1.1 Confined locales in the real world
6.1.2 Depressing locales in the afterlife
6.2 Exaggerated Stage Props
6.2.1 The large cage in the courtroom
6.2.2 The gigantic adding machine
6.3 Horrible Background Sounds
6.3.1 The discordant noises
6.3.2 The sharp clicking of an adding machine
Chapter Seven CONCLUSION
WORKS CITED
【参考文献】：
期刊论文
[1]《加算器》中机器文明与人性的对立[J]. 马礼霞. 芒种. 2014(02)
[2]《加算器》的表现主义特征[J]. 陈红,杨洋. 安徽文学(下半月). 2012(01)
[3]解读存在主义悲剧《加算器》[J]. 郝燕. 北京第二外国语学院学报. 2007(10)
本文编号：3514838
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