时代性立论与体系化出版:谈“电视论丛”的双重价值

发布时间：2018-03-05 00:18

本文选题：“电视论丛”　切入点：出版理念　出处：《中国编辑》2017年04期 　论文类型：期刊论文

【摘要】：中国电视艺术理论研究,经历了一个曲折发展的过程,先是在"电视是不是艺术"中争论,后又面对"电视将死"的实践之局。然而,为电视立论、为中国电视立论又具有重大意义。教育部首位新闻传播与影视艺术领域"长江学者"特聘教授胡智锋先生的三卷本"电视论丛",不仅在中国电视艺术理论的立论与呈现方面具有时代意义,在编辑出版思路和理念上也呈现出"内部研究—外部思考—终极探问"的体系化特征。同时,当下的融合时代,不仅是媒介的融合,也是艺术的融合,这要求电视艺术理论的拓展创新,传媒艺术研究与学科建设应该是一种拓展之路。
[Abstract]:The study of Chinese TV art theory has experienced a tortuous development process, first arguing in "whether TV is art", then facing the practice of "TV will die". It is also of great significance for China's television theory. Wu Zhifeng, a special professor in the field of news communication and film and television art of the Ministry of Education, wrote a three-volume book, "TV theory cluster", which is not only in the theory of Chinese television art. And the aspect of presentation has the significance of the times, The ideas and ideas of editing and publishing also show the systematic characteristics of "internal research-external thinking-ultimate inquiry". At the same time, the current era of integration is not only the fusion of media, but also the fusion of art. This requires the development and innovation of TV art theory, media art research and discipline construction should be a way to expand.
【作者单位】：中国传媒大学学报《现代传播》编辑部;
【基金】：国家社会科学基金重大项目“中国影视文化软实力提升的战略与策略研究”(项目编号:14ZDA055) 中国传媒大学科研培育项目“传媒艺术研究的必要性论析”(项目编号:CUC15A72)的阶段性成果
【分类号】：G220;G237.9

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