微媒体形式的文学性

发布时间：2018-03-07 03:34

本文选题：微媒体　切入点：自媒体　出处：《学习与探索》2017年07期 　论文类型：期刊论文

【摘要】：雅各布森提出"文学性"概念并将之定义为使一部作品成为文学作品的东西时,就已经把文学和文学性这两个概念区分开来,这为我们悬置文学而谈文学性提供了理论前提。伴随着智能手机的发展普及,当代社会已经进入了一个微媒体时代。各种微媒体形式在文本、世界、共同参与者之间的交流互动,在建构起某种有意味的形式的同时,也建构了某种文学性。而以反本质主义的观念来说,这些微媒体形式在一定意义上也可以被看成是文学作品,只是这种微媒体形式的文学性有自身的特征。
[Abstract]:When Jacobson put forward the concept of "literariness" and defined it as something that makes a work of literature, the two concepts of literature and literariness have already been distinguished. This provides a theoretical premise for us to talk about literariness in suspended literature. With the development and popularization of smart phones, contemporary society has entered an era of micromedia. All kinds of micromedia forms are in the text, in the world, The interaction between the common participants not only constructs a meaningful form, but also constructs a certain literariness. In the view of anti-essentialism, these micro-media forms can also be regarded as literary works in a certain sense. Only this kind of micromedia form of literature has its own characteristics.
【作者单位】：黑龙江大学文学院;
【基金】：国家社会科学基金项目“事件性思维与文学研究”(17BZW051)
【分类号】：G206

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